John Singer Sargent (474)

John Singer Sargent, the son of an American doctor, was born in Florence in 1856. He studied painting in Italy and France and in 1884 caused a sensation at the Paris Salon with his painting of Madame Gautreau. Exhibited as Madame X, people complained that the painting was provocatively erotic.

The scandal persuaded Sargent to move to England and over the next few years established himself as the country's leading portrait painter. This included portraits of Joseph Chamberlain (1896), Frank Swettenham (1904) and Henry James (1913). Sargent made several visits to the USA where as well as portraits he worked on a series of decorative paintings for public buildings such as the Boston Public Library (1890) and the Museum of Fine Arts (1916).

In 1879, Sargent painted a portrait of Carolus-Duran, the virtuoso effort met with public approval, and announced the direction his mature work would take. Its showing at the Paris Salon was both a tribute to his teacher and an advertisement for portrait commissions. Of Sargent's early work, Henry James wrote that the artist offered 'the slightly "uncanny" spectacle of a talent which on the very threshold of its career has nothing more to learn'.

In the early 1880s Sargent regularly exhibited portraits at the Salon, and these were mostly full-length portrayals of women: >Madame Edouard Pailleron in 1880, Madame Ramon Subercaseaux in 1881, and Lady with the Rose, 1882. He continued to receive positive critical notice.

Sargent's best portraits reveal the individuality and personality of the sitters, his most ardent admirers think he is matched in this only by Velazquez, who was one of Sargent's great influences. The Spanish master's spell is apparent in Sargent's The Daughters of Edward Darley Boit, 1882, a haunting interior which echoes Velazquez' Las Meninas. Sargent's Portrait of >Madame X,, done in 1884, is now considered one of his best works, and was the artist's personal favorite, eventually Sargent sold it to the Metropolitan Museum of Art. However, at the time it was unveiled in Paris at the 1884 Salon, it aroused such a negative reaction that it prompted Sargent to move to London. Prior to the Mme. X. scandal of 1884, he had painted exotic beauties such as Rosina Ferrara of Capri, and the Spanish expatriate model, Carmela Bertagna, but the earlier pictures had not been intended for broad public reception.

Before his arrival in England, Sargent began sending paintings for exhibition at the Royal Academy. These included the portraits of Dr. Pozzi at Home, 1881, a flamboyant essay in red, and the more traditional Mrs. Henry White, 1883. The ensuing portrait commissions encouraged Sargent to finalize his move to London in 1886. His first major success at the Royal Academy came in 1887, with the enthusiastic response to Carnation, Lily, Lily, Rose, a large piece, painted on site, of two young girls lighting lanterns in an English garden. The painting was immediately purchased by the Tate Gallery. In 1894 Sargent was elected an associate of the Royal Academy, and was made a full member three years later. In the 1890s he averaged fourteen portrait commissions per year, none more beautiful than the genteel Lady Agnew of Lochnaw, 1892. As a portrait painter in the grand manner, Sargent's success was unmatched, his subjects were at once ennobled and often possessed of nervous energy (Mrs. Hugh Hammersley, 1892). With little fear of contradiction, Sargent was referred to as 'the Van Dyck of our times'.

Sargent painted a series of three portraits of Robert Louis Stevenson. The second, Portrait of Robert Louis Stevenson and his Wife (1885), was one of his best known. He also completed portraits of two U.S. presidents: Theodore Roosevelt and Woodrow Wilson.

During the greater part of Sargent's career, he created roughly 900 oil paintings and more than 2,000 watercolours, as well as countless sketches and charcoal drawings. From 1907 on Sargent forsook portrait painting and focused on landscapes in his later years, he also sculpted later in life. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Montana and Florida, and each destination offered pictorial treasure. As a concession to the insatiable demand of wealthy patrons for portraits, however, he continued to dash off rapid charcoal portrait sketches for them, which he called "Mugs". Forty-six of these, spanning the years 1890-1916, were exhibited at the Royal Society of Portrait Painters in 1916.

Sargent is usually not thought of as an Impressionist painter, but he sometimes used impressionistic techniques to great effect, and his Claude Monet Painting at the Edge of a Wood is rendered in his own version of the impressionist style.

Although Sargent was an American expatriate, he returned to the United States many times, often to answer the demand for commissioned portraits. Many of his most important works are in museums in the U.S., in 1909 he exhibited eighty-six watercolours in New York City, eighty-three of which were bought by the Brooklyn Museum. His mural decorations grace the Boston Public Library. For this commission, a series of oils on the theme of The Triumph of Religion that were attached to the walls of the library by means of marouflage, Sargent made numerous visits to the United States in the last decade of his life, including a stay of two full years from 1915-1917.

It is in some of his late works where one senses Sargent painting most purely for himself. His watercolors, often of landscapes documenting his travels (Santa Maria della Salute, 1904, Brooklyn Museum of Art), were executed with a joyful fluidness. In watercolours and oils he portrayed his friends and family dressed in Orientalist costume, relaxing in brightly lit landscapes that allowed for a more vivid palette and experimental handling than did his commissions (The Chess Game, 1906).Portrait of Robert Louis Stevenson and his Wife sold in 2004 for $8.8 million to Las Vegas casino mogul Steve Wynn to be installed at his newest casino, Wynn Las Vegas.

In December 2004, Group with Parasols (A Siesta) (1905) sold for $US 23.5 million, nearly double the Sotheby's estimate of $12 million. The previous highest price for a Sargent painting was $US 11 million.

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Carnation, Lily, Lily, Rose 1885

By John Singer Sargent
Sizes starting at
₩ 231,189

Madame X (Madame Pierre Gautreau)

By John Singer Sargent
Sizes starting at
₩ 307,229

Portrait of Lady agnew of Lochnaw 1892

By John Singer Sargent
Sizes starting at
₩ 242,049

Morning Walk 1888

By John Singer Sargent
Sizes starting at
₩ 232,729

The Daughters of Edward Darley Boit 1882

By John Singer Sargent
Sizes starting at
₩ 217,619

Group With Parasols (a Siesta)

By John Singer Sargent
Sizes starting at
₩ 244,189

El Jaleo, 1882

By John Singer Sargent
Sizes starting at
₩ 263,769

Girl Fishing

By John Singer Sargent
Sizes starting at
₩ 239,609

Bedouins

By John Singer Sargent
Sizes starting at
₩ 244,189

The Fountain, Villa Torlonia, Frascati, Italy 1907

By John Singer Sargent
Sizes starting at
₩ 225,849

Girl Reading By a Stream 1888

By John Singer Sargent
Sizes starting at
₩ 218,969

Lake O'hara 1916

By John Singer Sargent
Sizes starting at
₩ 224,079

Claude Monet Painting By the Edge of a Wood 1885-2

By John Singer Sargent
Sizes starting at
₩ 218,969

San Geremia 1913

By John Singer Sargent
Sizes starting at
₩ 228,799

The Bridge of Sighs

By John Singer Sargent
Sizes starting at
₩ 240,589

Gassed 1919

By John Singer Sargent
Sizes starting at
₩ 338,199

Dennis Miller Bunker Painting at Calcot 1888

By John Singer Sargent
Sizes starting at
₩ 207,509

A Boating Party

By John Singer Sargent
Sizes starting at
₩ 209,929

Paul Helleu Sketching With His Wife 1889

By John Singer Sargent
Sizes starting at
₩ 221,259

The Sketchers 1913

By John Singer Sargent
Sizes starting at
₩ 223,559

The Master and His Pupils 1914

By John Singer Sargent
Sizes starting at
₩ 231,159

Reapers Resting In a Wheat Field 1885

By John Singer Sargent
Sizes starting at
₩ 231,159

Neapolitan Children Bathing 1879

By John Singer Sargent
Sizes starting at
₩ 246,489

On His Holidays, Norway 1901

By John Singer Sargent
Sizes starting at
₩ 267,119

Street In Venice 1882

By John Singer Sargent
Sizes starting at
₩ 218,969

A Street In Venice

By John Singer Sargent
Sizes starting at
₩ 230,439

The Sulphur Match-2

By John Singer Sargent
Sizes starting at
₩ 235,019

A Venetian Woman

By John Singer Sargent
Sizes starting at
₩ 235,019

Venetian onion Seller

By John Singer Sargent
Sizes starting at
₩ 235,019

A Venetian Interior 1880

By John Singer Sargent
Sizes starting at
₩ 223,559

A Venetian Trattoria

By John Singer Sargent
Sizes starting at
₩ 240,589

Venetian Glass Workers

By John Singer Sargent
Sizes starting at
₩ 246,489

In the Luxembourg Gardens 1879

By John Singer Sargent
Sizes starting at
₩ 242,949

Luxembourg Gardens at Twilight 1879

By John Singer Sargent
Sizes starting at
₩ 228,799

The Birthday Party 1887

By John Singer Sargent
Sizes starting at
₩ 242,669

Le Verre De Porto (a Dinner Table at Night) 1884

By John Singer Sargent
Sizes starting at
₩ 252,909

The Breakfast Table 1883-1884

By John Singer Sargent
Sizes starting at
₩ 218,969

Tyrolese Interior 1915

By John Singer Sargent
Sizes starting at
₩ 225,849

Rehearsal of the Pasdeloup Orchestra at the Cirque D’hiver 1879

By John Singer Sargent
Sizes starting at
₩ 223,559

Marionettes 1903

By John Singer Sargent
Sizes starting at
₩ 235,019

A Javanese Dancer 1889-3

By John Singer Sargent
Sizes starting at
₩ 310,689

A Javanese Dancer 1889-4

By John Singer Sargent
Sizes starting at
₩ 301,519

A Javanese Dancer 1889-5

By John Singer Sargent
Sizes starting at
₩ 296,929

In a Garden, Corfu 1909

By John Singer Sargent
Sizes starting at
₩ 225,849

A Gust of Wind 1886

By John Singer Sargent
Sizes starting at
₩ 257,949

Fumée D'ambre Gris (Smoke of ambergris) 1880

By John Singer Sargent
Sizes starting at
₩ 246,489

La Carmencita 1890

By John Singer Sargent
Sizes starting at
₩ 277,349

A Parisian Beggar Girl 1880

By John Singer Sargent
Sizes starting at
₩ 239,609

Simplon Pass-Reading 1911

By John Singer Sargent
Sizes starting at
₩ 237,319

The Lady With the Umbrella 1911

By John Singer Sargent
Sizes starting at
₩ 230,439

Two Girls With Parasols at Fladbury 1889

By John Singer Sargent
Sizes starting at
₩ 218,969

A Siesta

By John Singer Sargent
Sizes starting at
₩ 232,729

Simplon Pass-the Green Parasol 1911

By John Singer Sargent
Sizes starting at
₩ 233,519

Simplon Pass-the Tease 1911

By John Singer Sargent
Sizes starting at
₩ 228,139

Simplon Pass-At the Top 1909

By John Singer Sargent
Sizes starting at
₩ 228,139

A Turkish Woman By a Stream 1907

By John Singer Sargent
Sizes starting at
₩ 235,019

The Chess Game

By John Singer Sargent
Sizes starting at
₩ 223,559

Dolce Far Niente

By John Singer Sargent
Sizes starting at
₩ 306,099

Val D'aosta-A Man Fishing 1907

By John Singer Sargent
Sizes starting at
₩ 225,849

The Black Brook (Rose-Marie Osmond) 1908

By John Singer Sargent
Sizes starting at
₩ 225,849

Zuleika 1906

By John Singer Sargent
Sizes starting at
₩ 235,019

Lady and Child asleep In a Punt Under the Willows 1887

By John Singer Sargent
Sizes starting at
₩ 226,439

Under the Willows 1887

By John Singer Sargent
Sizes starting at
₩ 221,259

Landscape With Goats 1909

By John Singer Sargent
Sizes starting at
₩ 231,159

Sketch For ‘Carnation, Lily, Lily, Rose’ 1885

By John Singer Sargent
Sizes starting at
₩ 218,969

Study For Carnation, Lily, Lily, Rose’ 1885

By John Singer Sargent
Sizes starting at
₩ 251,069

Dorothy Barnard 1885

By John Singer Sargent
Sizes starting at
₩ 248,779

Garden Study of the Vickers Children, 1884

By John Singer Sargent
Sizes starting at
₩ 244,189

Gathering Flowers at Twilight

By John Singer Sargent
Sizes starting at
₩ 221,259

Oyster Gatherers of Cancale 1878

By John Singer Sargent
Sizes starting at
₩ 274,639

Fishing For Oysters at Cancale 1878

By John Singer Sargent
Sizes starting at
₩ 269,199

An artist In His Studio 1904

By John Singer Sargent
Sizes starting at
₩ 228,139

A Capriote 1878

By John Singer Sargent
Sizes starting at
₩ 218,969

Staircase In Capri 1878

By John Singer Sargent
Sizes starting at
₩ 271,709

Ricordi Di Capri 1878

By John Singer Sargent
Sizes starting at
₩ 225,849

Capri Girl on a Rooftop 1878

By John Singer Sargent
Sizes starting at
₩ 225,849

Capri Girl on a Rooftop 1878-2

By John Singer Sargent
Sizes starting at
₩ 230,439

Mannikin In the Snow

By John Singer Sargent
Sizes starting at
₩ 244,189

Muddy alligators 1917

By John Singer Sargent
Sizes starting at
₩ 246,489

The Olive Grove 1910

By John Singer Sargent
Sizes starting at
₩ 225,849

By the River

By John Singer Sargent
Sizes starting at
₩ 230,439

Robert Louis Stevenson and His Wife 1885

By John Singer Sargent
Sizes starting at
₩ 242,669

Ellen Terry as Lady Macbeth 1889-4

By John Singer Sargent
Sizes starting at
₩ 307,229

Madame Gautreau Drinking a Toast, 1882-1883

By John Singer Sargent
Sizes starting at
₩ 242,049

Mrs Carl Meyer and Her Children 1896

By John Singer Sargent
Sizes starting at
₩ 266,489

Mrs Hugh Hammersley 1892

By John Singer Sargent
Sizes starting at
₩ 293,649

Portrait of Millicent Leveson Gower, Duchess of Sutherland 1904 Rw

By John Singer Sargent
Sizes starting at
₩ 293,649

Ada Rehan

By John Singer Sargent
Sizes starting at
₩ 301,799

Isabella Stewart Gardner, 1888

By John Singer Sargent
Sizes starting at
₩ 345,279

Carolus-Duran 1879

By John Singer Sargent
Sizes starting at
₩ 239,339

The Lady In Black (Madame Errázuriz) 1882

By John Singer Sargent
Sizes starting at
₩ 252,909

Village Children 1890

By John Singer Sargent
Sizes starting at
₩ 236,619

Nonchaloir (Repose) 1911

By John Singer Sargent
Sizes starting at
₩ 236,619

Mrs. Cecil Wade 1886

By John Singer Sargent
Sizes starting at
₩ 236,619

Miss Mathilde Townsend 1907

By John Singer Sargent
Sizes starting at
₩ 266,489

Mrs. Joseph Chamberlain 1902

By John Singer Sargent
Sizes starting at
₩ 290,929

Mrs. Fiske Warren (Gretchen Osgood) and Her Daughter Rachel 1903

By John Singer Sargent
Sizes starting at
₩ 266,489

Mrs. Charles E. Inches (Louise Pomeroy) 1887

By John Singer Sargent
Sizes starting at
₩ 258,339

Mrs. George Swinton (Elizabeth Ebsworth) 1897

By John Singer Sargent
Sizes starting at
₩ 301,799

Mrs. Henry White 1883

By John Singer Sargent
Sizes starting at
₩ 271,919

John Singer Sargent (474)

John Singer Sargent, the son of an American doctor, was born in Florence in 1856. He studied painting in Italy and France and in 1884 caused a sensation at the Paris Salon with his painting of Madame Gautreau. Exhibited as Madame X, people complained that the painting was provocatively erotic.

The scandal persuaded Sargent to move to England and over the next few years established himself as the country's leading portrait painter. This included portraits of Joseph Chamberlain (1896), Frank Swettenham (1904) and Henry James (1913). Sargent made several visits to the USA where as well as portraits he worked on a series of decorative paintings for public buildings such as the Boston Public Library (1890) and the Museum of Fine Arts (1916).

In 1879, Sargent painted a portrait of Carolus-Duran, the virtuoso effort met with public approval, and announced the direction his mature work would take. Its showing at the Paris Salon was both a tribute to his teacher and an advertisement for portrait commissions. Of Sargent's early work, Henry James wrote that the artist offered 'the slightly "uncanny" spectacle of a talent which on the very threshold of its career has nothing more to learn'.

In the early 1880s Sargent regularly exhibited portraits at the Salon, and these were mostly full-length portrayals of women: >Madame Edouard Pailleron in 1880, Madame Ramon Subercaseaux in 1881, and Lady with the Rose, 1882. He continued to receive positive critical notice.

Sargent's best portraits reveal the individuality and personality of the sitters, his most ardent admirers think he is matched in this only by Velazquez, who was one of Sargent's great influences. The Spanish master's spell is apparent in Sargent's The Daughters of Edward Darley Boit, 1882, a haunting interior which echoes Velazquez' Las Meninas. Sargent's Portrait of >Madame X,, done in 1884, is now considered one of his best works, and was the artist's personal favorite, eventually Sargent sold it to the Metropolitan Museum of Art. However, at the time it was unveiled in Paris at the 1884 Salon, it aroused such a negative reaction that it prompted Sargent to move to London. Prior to the Mme. X. scandal of 1884, he had painted exotic beauties such as Rosina Ferrara of Capri, and the Spanish expatriate model, Carmela Bertagna, but the earlier pictures had not been intended for broad public reception.

Before his arrival in England, Sargent began sending paintings for exhibition at the Royal Academy. These included the portraits of Dr. Pozzi at Home, 1881, a flamboyant essay in red, and the more traditional Mrs. Henry White, 1883. The ensuing portrait commissions encouraged Sargent to finalize his move to London in 1886. His first major success at the Royal Academy came in 1887, with the enthusiastic response to Carnation, Lily, Lily, Rose, a large piece, painted on site, of two young girls lighting lanterns in an English garden. The painting was immediately purchased by the Tate Gallery. In 1894 Sargent was elected an associate of the Royal Academy, and was made a full member three years later. In the 1890s he averaged fourteen portrait commissions per year, none more beautiful than the genteel Lady Agnew of Lochnaw, 1892. As a portrait painter in the grand manner, Sargent's success was unmatched, his subjects were at once ennobled and often possessed of nervous energy (Mrs. Hugh Hammersley, 1892). With little fear of contradiction, Sargent was referred to as 'the Van Dyck of our times'.

Sargent painted a series of three portraits of Robert Louis Stevenson. The second, Portrait of Robert Louis Stevenson and his Wife (1885), was one of his best known. He also completed portraits of two U.S. presidents: Theodore Roosevelt and Woodrow Wilson.

During the greater part of Sargent's career, he created roughly 900 oil paintings and more than 2,000 watercolours, as well as countless sketches and charcoal drawings. From 1907 on Sargent forsook portrait painting and focused on landscapes in his later years, he also sculpted later in life. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Montana and Florida, and each destination offered pictorial treasure. As a concession to the insatiable demand of wealthy patrons for portraits, however, he continued to dash off rapid charcoal portrait sketches for them, which he called "Mugs". Forty-six of these, spanning the years 1890-1916, were exhibited at the Royal Society of Portrait Painters in 1916.

Sargent is usually not thought of as an Impressionist painter, but he sometimes used impressionistic techniques to great effect, and his Claude Monet Painting at the Edge of a Wood is rendered in his own version of the impressionist style.

Although Sargent was an American expatriate, he returned to the United States many times, often to answer the demand for commissioned portraits. Many of his most important works are in museums in the U.S., in 1909 he exhibited eighty-six watercolours in New York City, eighty-three of which were bought by the Brooklyn Museum. His mural decorations grace the Boston Public Library. For this commission, a series of oils on the theme of The Triumph of Religion that were attached to the walls of the library by means of marouflage, Sargent made numerous visits to the United States in the last decade of his life, including a stay of two full years from 1915-1917.

It is in some of his late works where one senses Sargent painting most purely for himself. His watercolors, often of landscapes documenting his travels (Santa Maria della Salute, 1904, Brooklyn Museum of Art), were executed with a joyful fluidness. In watercolours and oils he portrayed his friends and family dressed in Orientalist costume, relaxing in brightly lit landscapes that allowed for a more vivid palette and experimental handling than did his commissions (The Chess Game, 1906).Portrait of Robert Louis Stevenson and his Wife sold in 2004 for $8.8 million to Las Vegas casino mogul Steve Wynn to be installed at his newest casino, Wynn Las Vegas.

In December 2004, Group with Parasols (A Siesta) (1905) sold for $US 23.5 million, nearly double the Sotheby's estimate of $12 million. The previous highest price for a Sargent painting was $US 11 million.

Read more
Page