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John Singer Sargent, the son of an American doctor, was born in Florence in 1856. He studied painting in Italy and France and in 1884 caused a sensation at the Paris Salon with his painting of Madame Gautreau. Exhibited as Madame X, people complained that the painting was provocatively erotic.
The scandal persuaded Sargent to move to England and over the next few years established himself as the country’s leading portrait painter. This included portraits of Joseph Chamberlain (1896), Frank Swettenham (1904) and Henry James (1913). Sargent made several visits to the USA where as well as portraits he worked on a series of decorative paintings for public buildings such as the Boston Public Library (1890) and the Museum of Fine Arts (1916).
In 1879, Sargent painted a portrait of Carolus-Duran, the virtuoso effort met with public approval, and announced the direction his mature work would take. Its showing at the Paris Salon was both a tribute to his teacher and an advertisement for portrait commissions. Of Sargent’s early work, Henry James wrote that the artist offered ‘the slightly “uncanny” spectacle of a talent which on the very threshold of its career has nothing more to learn’.
In the early 1880s Sargent regularly exhibited portraits at the Salon, and these were mostly full-length portrayals of women: >Madame Edouard Pailleron in 1880, Madame Ramon Subercaseaux in 1881, and Lady with the Rose, 1882. He continued to receive positive critical notice.
Sargent’s best portraits reveal the individuality and personality of the sitters, his most ardent admirers think he is matched in this only by Velazquez, who was one of Sargent’s great influences. The Spanish master’s spell is apparent in Sargent’s The Daughters of Edward Darley Boit, 1882, a haunting interior which echoes Velazquez’ Las Meninas. Sargent’s Portrait of >Madame X,, done in 1884, is now considered one of his best works, and was the artist’s personal favorite, eventually Sargent sold it to the Metropolitan Museum of Art. However, at the time it was unveiled in Paris at the 1884 Salon, it aroused such a negative reaction that it prompted Sargent to move to London. Prior to the Mme. X. scandal of 1884, he had painted exotic beauties such as Rosina Ferrara of Capri, and the Spanish expatriate model, Carmela Bertagna, but the earlier pictures had not been intended for broad public reception.
Before his arrival in England, Sargent began sending paintings for exhibition at the Royal Academy. These included the portraits of Dr. Pozzi at Home, 1881, a flamboyant essay in red, and the more traditional Mrs. Henry White, 1883. The ensuing portrait commissions encouraged Sargent to finalize his move to London in 1886. His first major success at the Royal Academy came in 1887, with the enthusiastic response to Carnation, Lily, Lily, Rose, a large piece, painted on site, of two young girls lighting lanterns in an English garden. The painting was immediately purchased by the Tate Gallery. In 1894 Sargent was elected an associate of the Royal Academy, and was made a full member three years later. In the 1890s he averaged fourteen portrait commissions per year, none more beautiful than the genteel Lady Agnew of Lochnaw, 1892. As a portrait painter in the grand manner, Sargent’s success was unmatched, his subjects were at once ennobled and often possessed of nervous energy (Mrs. Hugh Hammersley, 1892). With little fear of contradiction, Sargent was referred to as ‘the Van Dyck of our times’.
Sargent painted a series of three portraits of Robert Louis Stevenson. The second, Portrait of Robert Louis Stevenson and his Wife (1885), was one of his best known. He also completed portraits of two U.S. presidents: Theodore Roosevelt and Woodrow Wilson.
During the greater part of Sargent’s career, he created roughly 900 oil paintings and more than 2,000 watercolours, as well as countless sketches and charcoal drawings. From 1907 on Sargent forsook portrait painting and focused on landscapes in his later years, he also sculpted later in life. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Montana and Florida, and each destination offered pictorial treasure. As a concession to the insatiable demand of wealthy patrons for portraits, however, he continued to dash off rapid charcoal portrait sketches for them, which he called “Mugs”. Forty-six of these, spanning the years 1890-1916, were exhibited at the Royal Society of Portrait Painters in 1916.
Sargent is usually not thought of as an Impressionist painter, but he sometimes used impressionistic techniques to great effect, and his Claude Monet Painting at the Edge of a Wood is rendered in his own version of the impressionist style.
Although Sargent was an American expatriate, he returned to the United States many times, often to answer the demand for commissioned portraits. Many of his most important works are in museums in the U.S., in 1909 he exhibited eighty-six watercolours in New York City, eighty-three of which were bought by the Brooklyn Museum. His mural decorations grace the Boston Public Library. For this commission, a series of oils on the theme of The Triumph of Religion that were attached to the walls of the library by means of marouflage, Sargent made numerous visits to the United States in the last decade of his life, including a stay of two full years from 1915-1917.
It is in some of his late works where one senses Sargent painting most purely for himself. His watercolors, often of landscapes documenting his travels (Santa Maria della Salute, 1904, Brooklyn Museum of Art), were executed with a joyful fluidness. In watercolours and oils he portrayed his friends and family dressed in Orientalist costume, relaxing in brightly lit landscapes that allowed for a more vivid palette and experimental handling than did his commissions (The Chess Game, 1906).Portrait of Robert Louis Stevenson and his Wife sold in 2004 for $8.8 million to Las Vegas casino mogul Steve Wynn to be installed at his newest casino, Wynn Las Vegas.
In December 2004, Group with Parasols (A Siesta) (1905) sold for $US 23.5 million, nearly double the Sotheby’s estimate of $12 million. The previous highest price for a Sargent painting was $US 11 million.
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Carnation, Lily, Lily, Rose 1885
으로 존 싱어 사젠트크기 시작 ₩312,759Madame X (Madame Pierre Gautreau)
으로 존 싱어 사젠트크기 시작 ₩409,149Portrait of Lady agnew of Lochnaw 1892
으로 존 싱어 사젠트크기 시작 ₩304,169Morning Walk 1888
으로 존 싱어 사젠트크기 시작 ₩320,059The Daughters of Edward Darley Boit 1882
으로 존 싱어 사젠트크기 시작 ₩289,799Group With Parasols (a Siesta)
으로 존 싱어 사젠트크기 시작 ₩372,259El Jaleo, 1882
으로 존 싱어 사젠트크기 시작 ₩367,689Girl Fishing
으로 존 싱어 사젠트크기 시작 ₩303,049Bedouins
으로 존 싱어 사젠트크기 시작 ₩309,859The Fountain, Villa Torlonia, Frascati, Italy 1907
으로 존 싱어 사젠트크기 시작 ₩308,139Girl Reading By a Stream 1888
으로 존 싱어 사젠트크기 시작 ₩296,219Lake O’hara 1916
으로 존 싱어 사젠트크기 시작 ₩253,089Claude Monet Painting By the Edge of a Wood 1885-2
으로 존 싱어 사젠트크기 시작 ₩272,359San Geremia 1913
으로 존 싱어 사젠트크기 시작 ₩258,909The Bridge of Sighs
으로 존 싱어 사젠트크기 시작 ₩273,469Gassed 1919
으로 존 싱어 사젠트크기 시작 ₩621,809Dennis Miller Bunker Painting at Calcot 1888
으로 존 싱어 사젠트크기 시작 ₩276,319A Boating Party
으로 존 싱어 사젠트크기 시작 ₩280,529Paul Helleu Sketching With His Wife 1889
으로 존 싱어 사젠트크기 시작 ₩275,769The Sketchers 1913
으로 존 싱어 사젠트크기 시작 ₩279,189The Master and His Pupils 1914
으로 존 싱어 사젠트크기 시작 ₩261,819Reapers Resting In a Wheat Field 1885
으로 존 싱어 사젠트크기 시작 ₩261,819Neapolitan Children Bathing 1879
으로 존 싱어 사젠트크기 시작 ₩343,839On His Holidays, Norway 1901
으로 존 싱어 사젠트크기 시작 ₩343,849Street In Venice 1882
으로 존 싱어 사젠트크기 시작 ₩296,219A Street In Venice
으로 존 싱어 사젠트크기 시작 ₩289,419The Sulphur Match-2
으로 존 싱어 사젠트크기 시작 ₩296,239A Venetian Woman
으로 존 싱어 사젠트크기 시작 ₩296,239Venetian onion Seller
으로 존 싱어 사젠트크기 시작 ₩296,239A Venetian Interior 1880
으로 존 싱어 사젠트크기 시작 ₩304,169A Venetian Trattoria
으로 존 싱어 사젠트크기 시작 ₩333,649Venetian Glass Workers
으로 존 싱어 사젠트크기 시작 ₩343,839In the Luxembourg Gardens 1879
으로 존 싱어 사젠트크기 시작 ₩337,729Luxembourg Gardens at Twilight 1879
으로 존 싱어 사젠트크기 시작 ₩313,249The Birthday Party 1887
으로 존 싱어 사젠트크기 시작 ₩305,079Le Verre De Porto (a Dinner Table at Night) 1884
으로 존 싱어 사젠트크기 시작 ₩320,059The Breakfast Table 1883-1884
으로 존 싱어 사젠트크기 시작 ₩296,219Tyrolese Interior 1915
으로 존 싱어 사젠트크기 시작 ₩308,139Rehearsal of the Pasdeloup Orchestra at the Cirque D’hiver 1879
으로 존 싱어 사젠트크기 시작 ₩252,439Marionettes 1903
으로 존 싱어 사젠트크기 시작 ₩353,979A Javanese Dancer 1889-3
으로 존 싱어 사젠트크기 시작 ₩464,179A Javanese Dancer 1889-4
으로 존 싱어 사젠트크기 시작 ₩448,489A Javanese Dancer 1889-5
으로 존 싱어 사젠트크기 시작 ₩486,839In a Garden, Corfu 1909
으로 존 싱어 사젠트크기 시작 ₩282,599A Gust of Wind 1886
으로 존 싱어 사젠트크기 시작 ₩363,619Fumée D’ambre Gris (Smoke of ambergris) 1880
으로 존 싱어 사젠트크기 시작 ₩313,269La Carmencita 1890
으로 존 싱어 사젠트크기 시작 ₩355,719A Parisian Beggar Girl 1880
으로 존 싱어 사젠트크기 시작 ₩331,949Simplon Pass-Reading 1911
으로 존 싱어 사젠트크기 시작 ₩327,989The Lady With the Umbrella 1911
으로 존 싱어 사젠트크기 시작 ₩316,089Two Girls With Parasols at Fladbury 1889
으로 존 싱어 사젠트크기 시작 ₩296,219A Siesta
으로 존 싱어 사젠트크기 시작 ₩320,059Simplon Pass-the Green Parasol 1911
으로 존 싱어 사젠트크기 시작 ₩321,419Simplon Pass-the Tease 1911
으로 존 싱어 사젠트크기 시작 ₩312,119Simplon Pass-At the Top 1909
으로 존 싱어 사젠트크기 시작 ₩312,119A Turkish Woman By a Stream 1907
으로 존 싱어 사젠트크기 시작 ₩324,019The Chess Game
으로 존 싱어 사젠트크기 시작 ₩304,169Dolce Far Niente
으로 존 싱어 사젠트크기 시작 ₩456,329Val D’aosta-A Man Fishing 1907
으로 존 싱어 사젠트크기 시작 ₩308,139The Black Brook (Rose-Marie Osmond) 1908
으로 존 싱어 사젠트크기 시작 ₩308,139Zuleika 1906
으로 존 싱어 사젠트크기 시작 ₩324,019Lady and Child asleep In a Punt Under the Willows 1887
으로 존 싱어 사젠트크기 시작 ₩309,159Under the Willows 1887
으로 존 싱어 사젠트크기 시작 ₩300,189Landscape With Goats 1909
으로 존 싱어 사젠트크기 시작 ₩261,819Sketch For ‘Carnation, Lily, Lily, Rose’ 1885
으로 존 싱어 사젠트크기 시작 ₩296,219Study For Carnation, Lily, Lily, Rose’ 1885
으로 존 싱어 사젠트크기 시작 ₩351,759Dorothy Barnard 1885
으로 존 싱어 사젠트크기 시작 ₩347,799Garden Study of the Vickers Children, 1884
으로 존 싱어 사젠트크기 시작 ₩339,879Gathering Flowers at Twilight
으로 존 싱어 사젠트크기 시작 ₩300,189Oyster Gatherers of Cancale 1878
으로 존 싱어 사젠트크기 시작 ₩417,879Fishing For Oysters at Cancale 1878
으로 존 싱어 사젠트크기 시작 ₩407,609An artist In His Studio 1904
으로 존 싱어 사젠트크기 시작 ₩286,009A Capriote 1878
으로 존 싱어 사젠트크기 시작 ₩272,359Staircase In Capri 1878
으로 존 싱어 사젠트크기 시작 ₩311,919Ricordi Di Capri 1878
으로 존 싱어 사젠트크기 시작 ₩255,269Capri Girl on a Rooftop 1878
으로 존 싱어 사젠트크기 시작 ₩308,139Capri Girl on a Rooftop 1878-2
으로 존 싱어 사젠트크기 시작 ₩316,089Mannikin In the Snow
으로 존 싱어 사젠트크기 시작 ₩309,859Muddy alligators 1917
으로 존 싱어 사젠트크기 시작 ₩280,759The Olive Grove 1910
으로 존 싱어 사젠트크기 시작 ₩255,269By the River
으로 존 싱어 사젠트크기 시작 ₩316,089Robert Louis Stevenson and His Wife 1885
으로 존 싱어 사젠트크기 시작 ₩305,079Ellen Terry as Lady Macbeth 1889-4
으로 존 싱어 사젠트크기 시작 ₩370,809Madame Gautreau Drinking a Toast, 1882-1883
으로 존 싱어 사젠트크기 시작 ₩233,149Mrs Carl Meyer and Her Children 1896
으로 존 싱어 사젠트크기 시작 ₩372,259Mrs Hugh Hammersley 1892
으로 존 싱어 사젠트크기 시작 ₩379,419Portrait of Millicent Leveson Gower, Duchess of Sutherland 1904 Rw
으로 존 싱어 사젠트크기 시작 ₩379,419Ada Rehan
으로 존 싱어 사젠트크기 시작 ₩391,259Isabella Stewart Gardner, 1888
으로 존 싱어 사젠트크기 시작 ₩464,179Carolus-Duran 1879
으로 존 싱어 사젠트크기 시작 ₩300,189The Lady In Black (Madame Errázuriz) 1882
으로 존 싱어 사젠트크기 시작 ₩320,059Village Children 1890
으로 존 싱어 사젠트크기 시작 ₩296,219Nonchaloir (Repose) 1911
으로 존 싱어 사젠트크기 시작 ₩296,219Mrs. Cecil Wade 1886
으로 존 싱어 사젠트크기 시작 ₩296,219Miss Mathilde Townsend 1907
으로 존 싱어 사젠트크기 시작 ₩339,879Mrs. Joseph Chamberlain 1902
으로 존 싱어 사젠트크기 시작 ₩375,479Mrs. Fiske Warren (Gretchen Osgood) and Her Daughter Rachel 1903
으로 존 싱어 사젠트크기 시작 ₩339,879Mrs. Charles E. Inches (Louise Pomeroy) 1887
으로 존 싱어 사젠트크기 시작 ₩327,989Mrs. George Swinton (Elizabeth Ebsworth) 1897
으로 존 싱어 사젠트크기 시작 ₩391,259Mrs. Henry White 1883
으로 존 싱어 사젠트크기 시작 ₩347,799