5% rabatt bruk koden KMNO5 ved kassen
- Choose your Country
5% rabatt bruk koden KMNO5 ved kassen
Titian Vecellio
Tiziano Vecelli or Vecellio (c.1488/90– 27 August 1576)) known in English as Titian, the greatest Italian Renaissance painter of the Venetian school. He was recognized early in his own lifetime as a supremely talented painter, and his reputation has in the intervening centuries never suffered a decline. In 1590 the art theorist Giovanni Lomazzo declared him “the sun amidst small stars not only among the Italians but all the painters of the world.”
The traditional date of Titian’s birth was long given as 1477, but most later critics favoured the date of 1488/90. Titian was the son of a modest official, Gregorio di Conte dei Vecelli, and his wife, Lucia. He was born in the small village of Pieve di Cadore, located high amid mountain peaks of the Alps, straight north of Venice and not far from the Austrian Tyrol. At the age of nine he set out for Venice with his brother, Francesco, to live there with an uncle and to become an apprentice to Sebastiano Zuccato, a master of mosaics. The boy soon passed to the workshop of the Bellini family, where his true teacher became Giovanni Bellini, the greatest Venetian painter of the day.
A fresco of Hercules on the Morosini Palace is said to have been one of Titian’s earliest works. Others were the Bellini-esque so-called Gypsy Madonna in Vienna, and the Visitation of Mary and Elizabeth (from the convent of Sant’Andrea), now in the Accademia, Venice. A Man with a Quilted Sleeve is an early portrait, painted around 1509 and described by Giorgio Vasari in 1568. Scholars long believed it depicted Ludovico Ariosto, but now think it is of Gerolamo Barbarigo. Rembrandt borrowed the composition for his self-portraits.
Titian joined Giorgione as an assistant, but many contemporary critics already found Titian’s work more impressive—for example, in exterior frescoes (now almost totally destroyed) that they collaborated on for the Fondaco dei Tedeschi (state-warehouse for the German merchants). Their relationship evidently contained a significant element of rivalry. Distinguishing between their work during this period remains a subject of scholarly controversy. A substantial number of attributions have moved from Giorgione to Titian in the 20th century, with little traffic the other way. One of the earliest known Titian works, Christ Carrying the Cross in the Scuola Grande di San Rocco, depicting the Ecce Homo scene, was long regarded as by Giorgione.
Titian’s talent in fresco is shown in those he painted in 1511 at Padua in the Carmelite church and in the Scuola del Santo, some of which have been preserved, among them the Meeting at the Golden Gate, and three scenes (Miracoli di sant’Antonio) from the life of St. Anthony of Padua, The Miracle of the Jealous Husband, which depicts the Murder of a Young Woman by Her Husband, A Child Testifying to Its Mother’s Innocence, and The Saint Healing the Young Man with a Broken Limb.
Sometime in the early 1520s Titian brought to his house in Venice a young woman from Cadore whose name was Cecilia. Two sons were born in 1524 and 1525, first Pomponio, who became a priest, and second Orazio, later a painter and Titian’s chief assistant. During Cecilia’s grave illness in 1525, Titian married her. She recovered and later gave birth to two daughters, Lavinia (born 1529/30) and another who died in infancy. On Cecilia’s death in 1530, the artist was disconsolate and he never remarried.
Titian was then at the height of his fame, and towards 1521, following the production of a figure of St. Sebastian for the papal legate in Brescia (of which there are numerous replicas), purchasers pressed for his work. Titian’s skill with colour is exemplified by his Danaë, one of several mythological paintings, or «poesie» («poems») as the painter called them. This painting was done for Alessandro Farnese, but a later variant was produced for Philip II, for whom Titian painted many of his most important mythological paintings. Another famous painting is Bacchus and Ariadne, depicting Theseus, whose ship is shown in the distance and who has just left Ariadne at Naxos, when Bacchus arrives, jumping from his chariot, drawn by two cheetahs, and falling immediately in love with Ariadne. Bacchus raised her to heaven. Her constellation is shown in the sky.
During the next period (1530–1550), Titian developed the style introduced by his dramatic Death of St. Peter Martyr. In 1538, the Venetian government, dissatisfied with Titian’s neglect of his work for the ducal palace, ordered him to refund the money he had received, and Il Pordenone, his rival of recent years, was installed in his place. However, at the end of a year Pordenone died, and Titian, who meanwhile applied himself diligently to painting in the hall the Battle of Cadore, was reinstated.
At this time also, during his visit to Rome, the artist began a series of reclining Venuses: The Venus of Urbino of the Uffizi, Venus and Love at the same museum, Venus—and the Organ-Player, Madrid, which shows the influence of contact with ancient sculpture. Giorgione had already dealt with the subject in his Dresden picture, finished by Titian, but here a purple drapery substituted for a landscape background changed, by its harmonious colouring, the whole meaning of the scene.
Among portrait-painters Titian is compared to Rembrandt and Velázquez, with the interior life of the former, and the clearness, certainty, and obviousness of the latter. These qualities show in the Portrait of Pope Paul III of Naples, or the sketch of the same Pope Paul III and his Grandsons, the Portrait of Pietro Aretino of the Pitti Palace, the Portrait of Isabella of Portugal (Madrid), and the series of Emperor Charles V of the same museum, the Charles V with a Greyhound (1533), and especially the Equestrian Portrait of Charles V (1548), an equestrian picture in a symphony of purples.
As a matter of professional and worldly success, his position from about this time is regarded as equal only to that of Raphael, Michelangelo and, at a later date, Rubens. In 1540 he received a pension from d’Avalos, marquis del Vasto, and an annuity of 200 crowns (which was afterwards doubled) from Charles V from the treasury of Milan. Another source of profit, for he was always aware of money, was a contract obtained in 1542 for supplying grain to Cadore, where he visited almost every year and where he was both generous and influential.
Titian had a favorite villa on the neighboring Manza Hill (in front of the church of Castello Roganzuolo) from which (it may be inferred) he made his chief observations of landscape form and effect. The so-called Titian’s mill, constantly discernible in his studies, is at Collontola, near Belluno.
He visited Rome in 1546 and obtained the freedom of the city—his immediate predecessor in that honor having been Michelangelo in 1537. He could at the same time have succeeded the painter Sebastiano del Piombo in his lucrative office as holder of the piombo or Papal seal, and he was prepared to take Holy Orders for the purpose; but the project lapsed through his being summoned away from Venice in 1547 to paint Charles V and others in Augsburg. He was there again in 1550, and executed the portrait of Philip II, which was sent to England and was useful in Philip’s suit for the hand of Queen Mary.
During the last twenty-six years of his life (1550–1576), Titian worked mainly for Philip II and as a portrait-painter. He became more self-critical, an insatiable perfectionist, keeping some pictures in his studio for ten years—returning to them and retouching them, constantly adding new expressions at once more refined, concise, and subtle. He also finished many copies that his pupils made of his earlier works. This caused problems of attribution and priority among versions of his works—which were also widely copied and faked outside his studio during his lifetime and afterwards.For Philip II, he painted a series of large mythological paintings known as the «poesie», mostly from Ovid, which scholars regard as among his greatest works. Thanks to the prudishness of Philip’s successors, these were later mostly given as gifts, and only two remain in the Prado. Titian was producing religious works for Philip at the same time, some of which—the ones inside Ribeira Palace—are known to have been destroyed during the 1755 Lisbon Earthquake. The «poesie» series contained the following works:
He continued to accept commissions to the end of his life. Like many of his late works, Titian’s last painting, the Pietà, is a dramatic, nocturnal scene of suffering. He apparently intended it for his own tomb chapel. He had selected, as his burial place, the chapel of the Crucifix in the Basilica di Santa Maria Gloriosa dei Frari, the church of the Franciscan Order. In payment for a grave, he offered the Franciscans a picture of the Pietà that represented himself and his son Orazio, with a sibyl, before the Savior. He nearly finished this work, but differences arose regarding it, and he settled on being interred in his native Pieve.
While the plague raged in Venice, Titian died of a fever on 27 August 1576. Titian was interred in the Frari (Basilica di Santa Maria Gloriosa dei Frari), as at first intended, and his Pietà was finished by Palma il Giovane. He lies near his own famous painting, the Madonna di Ca’ Pesaro. No memorial marked his grave. Much later the Austrian rulers of Venice commissioned Antonio Canova to sculpt the large monument still in the church.
Contemporary estimates attribute around 400 works to Titian, of which about 300 survive. Two of Titian’s works in private hands were put up for sale in 2008. One of these, Diana and Actaeon, was purchased by London’s National Gallery and the National Galleries of Scotland on 2 February 2009 for £50 million. The other painting, Diana and Callisto, was for sale for the same amount until 2012 before it was offered to private collectors.
Read moreViser 1–100 av 174 resultater
Bacchus and Ariadne
By Titian VecellioSizes starting at kr3.229Diana and Actaeon
By Titian VecellioSizes starting at kr3.279Diana and Callisto
By Titian VecellioSizes starting at kr3.179The Feast of the Gods
By Titian VecellioSizes starting at kr3.179Rape of Europa
By Titian VecellioSizes starting at kr3.409Our Lady Ascension
By Titian VecellioSizes starting at kr4.349Equestrian Portrait of Charles V 1548
By Titian VecellioSizes starting at kr3.149Noli me Tangere
By Titian VecellioSizes starting at kr3.149Sacred and Profane Love 1514
By Titian VecellioSizes starting at kr4.789Venus of Urbino 1538
By Titian VecellioSizes starting at kr3.479Venus and Adonis 1554
By Titian VecellioSizes starting at kr3.029Danae
By Titian VecellioSizes starting at kr3.069Bacchanal of the Andrians
By Titian VecellioSizes starting at kr3.229The Death of Actaeon 1559
By Titian VecellioSizes starting at kr2.769Madonna of the Rabbit 1525
By Titian VecellioSizes starting at kr3.279The Holy Family with a Shepherd 1510
By Titian VecellioSizes starting at kr3.449A Man with a Quilted Sleeve 1510
By Titian VecellioSizes starting at kr2.909Woman at her toilet 1515
By Titian VecellioSizes starting at kr2.909The Penitent Magdalene
By Titian VecellioSizes starting at kr2.809Flora
By Titian VecellioSizes starting at kr3.049Venus and Adonis
By Titian VecellioSizes starting at kr3.279Venus and Adonis 1560
By Titian VecellioSizes starting at kr3.229Danae receiving the Golden Rain
By Titian VecellioSizes starting at kr3.529Danae
By Titian VecellioSizes starting at kr3.579Venus with a Mirror 1555
By Titian VecellioSizes starting at kr3.149An Idyll- A Mother and a Halberdier in a wooded Landscape
By Titian VecellioSizes starting at kr2.909Gipsy Madonna 1510
By Titian VecellioSizes starting at kr3.369Bache Madonna 1508
By Titian VecellioSizes starting at kr3.329Venus and the Lute Player
By Titian VecellioSizes starting at kr3.329Venus with organist and Cupid 1555
By Titian VecellioSizes starting at kr3.519Venus and organist and little dog 1550
By Titian VecellioSizes starting at kr3.909Venus with the Organ Player 1550
By Titian VecellioSizes starting at kr4.039Pastoral Concert 1509
By Titian VecellioSizes starting at kr3.459Perseus and Andromeda
By Titian VecellioSizes starting at kr3.079Mars, Venus and Amor 1530
By Titian VecellioSizes starting at kr3.149Nymph and Shepherd
By Titian VecellioSizes starting at kr3.109Venus Rising from the Sea (‘Venus Anadyomene’) 1520
By Titian VecellioSizes starting at kr3.009Spain succored Religion
By Titian VecellioSizes starting at kr2.639St Margaret and the Dragon 1565
By Titian VecellioSizes starting at kr2.839Punishement of Sisyph
By Titian VecellioSizes starting at kr2.809Allegory of Time Governed by Prudence
By Titian VecellioSizes starting at kr2.769Tarquinius and Lucretia 1571
By Titian VecellioSizes starting at kr3.399Saint Catherine of Alexandria at Prayer 1567
By Titian VecellioSizes starting at kr2.879The Agony in the Garden of Gethsemane
By Titian VecellioSizes starting at kr2.879The Agony in the Garden of Gethsemane
By Titian VecellioSizes starting at kr3.309The Annunciation 1557
By Titian VecellioSizes starting at kr3.519La Gloria
By Titian VecellioSizes starting at kr3.779The penitent magdalene 1566
By Titian VecellioSizes starting at kr3.049Madonna and Child with Sts Dorothy and George
By Titian VecellioSizes starting at kr3.939Madonna of the Cherries
By Titian VecellioSizes starting at kr3.459The Vendramin Family 1543
By Titian VecellioSizes starting at kr3.799The Virgin and Child between Saint Anthony of Padua and Saint Roque 1508
By Titian VecellioSizes starting at kr3.819The Penitent Saint Jerome
By Titian VecellioSizes starting at kr3.119The Fall of Man 1550
By Titian VecellioSizes starting at kr3.269Abraham and Isaac
By Titian VecellioSizes starting at kr3.319David and Goliath
By Titian VecellioSizes starting at kr2.989The Burial of Christ 1559
By Titian VecellioSizes starting at kr3.499The Burial of Christ 1572
By Titian VecellioSizes starting at kr3.609The Aldobrandini Madonna 1530
By Titian VecellioSizes starting at kr3.729Assumption of the Virgin
By Titian VecellioSizes starting at kr3.639Ecce Homo 1543
By Titian VecellioSizes starting at kr3.869Flight into Egypt 1508
By Titian VecellioSizes starting at kr3.999Jupiter and Antiope
By Titian VecellioSizes starting at kr4.829The Circumcision of Christ
By Titian VecellioSizes starting at kr5.189The Madonna and Child with a Female Saint and the Infant Saint John the Baptist
By Titian VecellioSizes starting at kr3.839The Madonna And Child With Saints Luke And Catherine Of Alexandria
By Titian VecellioSizes starting at kr3.699The Placing of Christ in the Sepulchre
By Titian VecellioSizes starting at kr3.369The Martyrdom of Saint Lawrence
By Titian VecellioSizes starting at kr3.729The Worship of Venus
By Titian VecellioSizes starting at kr3.049Salome with the Head of John the Baptist
By Titian VecellioSizes starting at kr2.739Salome with the head of John the Baptist 1550
By Titian VecellioSizes starting at kr2.739Salome with the Head of John the Baptist
By Titian VecellioSizes starting at kr3.189Christ Carrying the Cross 1560
By Titian VecellioSizes starting at kr2.949Christ Carrying the Cross 1565
By Titian VecellioSizes starting at kr3.109Christ Blessing
By Titian VecellioSizes starting at kr2.879Christ Shown to the People (Ecce Homo)
By Titian VecellioSizes starting at kr3.319Christ, a gardener 1553
By Titian VecellioSizes starting at kr2.769Ecce Homo 1547
By Titian VecellioSizes starting at kr2.909Ecce Homo 1560
By Titian VecellioSizes starting at kr3.009Ecce Homo
By Titian VecellioSizes starting at kr3.009Pilgrims at Emmaus 1535
By Titian VecellioSizes starting at kr3.869The Supper at Emmaus 1545
By Titian VecellioSizes starting at kr3.509Christ and the Adulteress
By Titian VecellioSizes starting at kr3.549The Tribute Money 1540
By Titian VecellioSizes starting at kr3.179Madonna with Child and Saints
By Titian VecellioSizes starting at kr3.819The Tribute Money 1516
By Titian VecellioSizes starting at kr3.639Madonna and Child with Mary Magdalene
By Titian VecellioSizes starting at kr3.369Philip II offering Don Fernando to Victory
By Titian VecellioSizes starting at kr3.409Annunciation
By Titian VecellioSizes starting at kr4.089Adoration of the Magi
By Titian VecellioSizes starting at kr3.999Catherine of Alexandria
By Titian VecellioSizes starting at kr3.589Jacopo Pesaro presented to St. Peter by Pope Alexander VI
By Titian VecellioSizes starting at kr3.499Treviso Cathedral
By Titian VecellioSizes starting at kr3.319Punishment of Tityus 1565
By Titian VecellioSizes starting at kr3.319Alfonso d’Avalos Addressing his Troops
By Titian VecellioSizes starting at kr3.639Virgin Mary with Child and St. Paul 1510
By Titian VecellioSizes starting at kr3.229Man with a Glove 1520
By Titian VecellioSizes starting at kr2.769Portrait of a Lady (‘La Schiavona’) 1510
By Titian VecellioSizes starting at kr2.879Portrait of Doge Francesco Venier
By Titian VecellioSizes starting at kr2.809Portrait of Pope Paul III with His Grandsons 1545
By Titian VecellioSizes starting at kr3.069