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Jacques Joseph Tissot (15 October 1836 – 8 August 1902) French painter, engraver, and enameler noted for his portraits of late Victorian society. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and figures from the Bible.
Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot’s mother instilled pious devotion in the future artist from a very young age. Tissot’s youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works.
By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother’s support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English.
In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Jules-Élie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot’s studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet.
In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe’s Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings.
Émile Péreire supplied Tissot’s painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall.
Tissot fought in the Franco-Prussian War as part of the improvised defence of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871.
Tissot quickly developed his reputation as a painter of elegantly dressed women shown in scenes of fashionable life. By 1872 Tissot had bought a house in St John’s Wood, an area of London very popular with artists at the time. He gained membership of The Arts Club in 1873. Paintings by Tissot appealed greatly to wealthy British industrialists during the second half of the 19th century. During 1872 he earned 94,515 francs, an income normally only enjoyed by those in the echelons of the upper classes.
In 1874, Degas asked him to join them in the first exhibition organized by the artists who became known as the Impressionists, but Tissot refused. He continued to be close to these artists, however. Berthe Morisot visited him in London in 1874, and he travelled to Venice with Édouard Manet at about the same time. He regularly saw Whistler, who influenced Tissot’s Thames river scenes.
In 1875 or 1876, Tissot met Kathleen Newton, a divorcee who became the painter’s companion and frequent model. He composed an etching of her in 1876 entitled Portrait of Mrs N., more commonly titled La frileuse. She gave birth to a son, Cecil George Newton in 1876, who is believed to be Tissot’s son. She moved into Tissot’s household in St. John’s Wood in 1876 and lived with him until her death in the late stages of consumption in 1882. Tissot frequently referred to these years with Newton as the happiest of his life, a time when he was able to live out his dream of a family life.
In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. At a time when French artists were working in Impressionism, Pointillism, and heavy oil washes, Tissot was moving toward realism in his watercolors. To assist in his completion of biblical illustrations, Tissot traveled to the Middle East in 1886, 1889, and 1896 to make studies of the landscape and people. His series of 365 gouache (opaque watercolor) illustrations showing the life of Christ were shown to critical acclaim and enthusiastic audiences in Paris (1894–1895), London (1896) and New York (1898–1899), before being bought by the Brooklyn Museum in 1900. They were published in a French edition in 1896–1897 and in an English one in 1897–1898, bringing Tissot vast wealth and fame. During July 1894, Tissot was awarded the Légion d’honneur, France’s most prestigious medal. Tissot spent the last years of his life working on paintings of subjects from the Old Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904.
Tissot died suddenly in Doubs, France, on 8 August 1902, while living in the Château de Buillon, a former abbey which he had inherited from his father in 1888. His grave is in the chapel sited within the grounds of the chateau.
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Young Lady in a Boat
으로 제임스 티소크기 시작 ₩360,379Holyday
으로 제임스 티소크기 시작 ₩340,259On the Thames
으로 제임스 티소크기 시작 ₩393,239The Morning Ride
으로 제임스 티소크기 시작 ₩367,689The Dance on Board
으로 제임스 티소크기 시작 ₩412,739How Happy I Could Be With Either
으로 제임스 티소크기 시작 ₩367,689La-Demoiselle-De-Magasin
으로 제임스 티소크기 시작 ₩387,049Marquis and Marchioness of Miramon and their Children
으로 제임스 티소크기 시작 ₩362,639Seaside
으로 제임스 티소크기 시작 ₩358,549The Gallery of HMS Calcutta (Portsmouth)
으로 제임스 티소크기 시작 ₩355,679The Artist’s Wives
으로 제임스 티소크기 시작 ₩402,469Women of Paris-The Circus Lover
으로 제임스 티소크기 시작 ₩392,189Too Early
으로 제임스 티소크기 시작 ₩373,229Hide and Seek
으로 제임스 티소크기 시작 ₩349,409In the Conservatory (Rivals)
으로 제임스 티소크기 시작 ₩371,619Still on top
으로 제임스 티소크기 시작 ₩395,069The Japanese Scroll
으로 제임스 티소크기 시작 ₩372,259Young Lady Holding Japanese Objects
으로 제임스 티소크기 시작 ₩331,099La Japonaise Au Bain
으로 제임스 티소크기 시작 ₩399,619Summer
으로 제임스 티소크기 시작 ₩413,279The Hammock
으로 제임스 티소크기 시작 ₩367,689A Convalescent
으로 제임스 티소크기 시작 ₩378,529The Departure of the Prodigal Son
으로 제임스 티소크기 시작 ₩530,239The Return of the Prodigal Son
으로 제임스 티소크기 시작 ₩464,009The attempted Abduction
으로 제임스 티소크기 시작 ₩363,119The Circle of the Rue Royale
으로 제임스 티소크기 시작 ₩431,369Waiting for the Ferry
으로 제임스 티소크기 시작 ₩392,189Waiting for the Ferry
으로 제임스 티소크기 시작 ₩381,389Young Women Looking at Japanese Articles
으로 제임스 티소크기 시작 ₩358,549Young Women Looking at Japanese Objects
으로 제임스 티소크기 시작 ₩340,259Young Ladies Looking at Japanese Objects
으로 제임스 티소크기 시작 ₩367,689In Full Sunlight
으로 제임스 티소크기 시작 ₩349,409Hush
으로 제임스 티소크기 시작 ₩394,399October
으로 제임스 티소크기 시작 ₩414,759The Princess of Broglie
으로 제임스 티소크기 시작 ₩340,459Tea
으로 제임스 티소크기 시작 ₩296,239Portrait of Marquise De Miramon, Nee, therese Feuillant
으로 제임스 티소크기 시작 ₩326,869Spring Morning
으로 제임스 티소크기 시작 ₩289,419The Ball
으로 제임스 티소크기 시작 ₩350,629Chrysanthemums
으로 제임스 티소크기 시작 ₩313,269A Woman of Ambition
으로 제임스 티소크기 시작 ₩303,049The Bunch of Lilacs
으로 제임스 티소크기 시작 ₩306,459The Captain and the Mate
으로 제임스 티소크기 시작 ₩324,019Young Woman in a Conservatory
으로 제임스 티소크기 시작 ₩340,459A Winter’s Walk
으로 제임스 티소크기 시작 ₩397,879The Fireplace
으로 제임스 티소크기 시작 ₩309,859The Garden Bench
으로 제임스 티소크기 시작 ₩365,079The Most Beautiful Girl in Paris
으로 제임스 티소크기 시작 ₩392,189A Passing Storm
으로 제임스 티소크기 시작 ₩272,359Autumn of the Thames, Nuneham Courtney
으로 제임스 티소크기 시작 ₩309,859Croquet
으로 제임스 티소크기 시작 ₩343,849La Soeur Ainee
으로 제임스 티소크기 시작 ₩397,879Les Demoiselles de Province
으로 제임스 티소크기 시작 ₩358,549Mrs Catherine Smith Gill and Two of Her Children
으로 제임스 티소크기 시작 ₩372,259On the Thames, a Heron
으로 제임스 티소크기 시작 ₩376,819Portrait of Clotilde Briatte, Comtesse Pillet-Will
으로 제임스 티소크기 시작 ₩383,369Bad News
으로 제임스 티소크기 시작 ₩332,149In Church
으로 제임스 티소크기 시작 ₩349,409Jeune femme lisant le journal
으로 제임스 티소크기 시작 ₩353,979Ladies in Waiting
으로 제임스 티소크기 시작 ₩353,979The Widower
으로 제임스 티소크기 시작 ₩372,259Reading the News
으로 제임스 티소크기 시작 ₩399,619A Visit to the Yacht
으로 제임스 티소크기 시작 ₩385,949Mavourneen
으로 제임스 티소크기 시작 ₩426,929Quarrelling
으로 제임스 티소크기 시작 ₩367,689A Fete Day at Brighton
으로 제임스 티소크기 시작 ₩390,509The Bridesmaid
으로 제임스 티소크기 시작 ₩363,119The Confidence
으로 제임스 티소크기 시작 ₩321,929The Emigrants
으로 제임스 티소크기 시작 ₩477,779Goodbye, on the Mersey
으로 제임스 티소크기 시작 ₩367,689The Fan
으로 제임스 티소크기 시작 ₩360,379The Farewells
으로 제임스 티소크기 시작 ₩395,069The Guide
으로 제임스 티소크기 시작 ₩336,859The Two Sisters
으로 제임스 티소크기 시작 ₩372,259The Visit and an Afternoon Call
으로 제임스 티소크기 시작 ₩417,829On the Thames
으로 제임스 티소크기 시작 ₩363,119A Luncheon
으로 제임스 티소크기 시작 ₩340,259Portrait of a Lady
으로 제임스 티소크기 시작 ₩331,099Portrait of Eugene Coppens De Fontenay
으로 제임스 티소크기 시작 ₩426,929The Terrace of the Trafalgar Tavern Greenwich London
으로 제임스 티소크기 시작 ₩360,379At the Rifle Range
으로 제임스 티소크기 시작 ₩367,689Boarding the Yacht
으로 제임스 티소크기 시작 ₩353,979Without Dowry
으로 제임스 티소크기 시작 ₩358,549Faust and Marguerite In the Garden
으로 제임스 티소크기 시작 ₩369,779Marguerite in Church
으로 제임스 티소크기 시작 ₩376,819Lesthetique
으로 제임스 티소크기 시작 ₩363,119Martin Luther’s Doubts
으로 제임스 티소크기 시작 ₩340,259The Cab Road, Victoria Station
으로 제임스 티소크기 시작 ₩450,569The Letter
으로 제임스 티소크기 시작 ₩343,839The Snack
으로 제임스 티소크기 시작 ₩335,919Captain Frederick Gustavus Burnaby
으로 제임스 티소크기 시작 ₩300,189The Captain’s Daughter
으로 제임스 티소크기 시작 ₩371,619The Elder Sister
으로 제임스 티소크기 시작 ₩417,829Visitors to London
으로 제임스 티소크기 시작 ₩353,979Prehistoric Woman
으로 제임스 티소크기 시작 ₩448,439La Femme Prehistorique
으로 제임스 티소크기 시작 ₩471,959James (Jacques)
으로 제임스 티소크기 시작 ₩375,479Gentleman in a Railway Carriage
으로 제임스 티소크기 시작 ₩335,919The Creation
으로 제임스 티소크기 시작 ₩327,429Adam Is Tempted by Eve
으로 제임스 티소크기 시작 ₩358,549