사이트 전체 5% 할인 | 결제 시 KMKR5 코드를 사용하세요.
- Choose your Country
사이트 전체 5% 할인 | 결제 시 KMKR5 코드를 사용하세요.
에두아르 마네
Edouard Manet was born in Paris on January 23, 1832, to an affluent and well connected family. His mother, Eugenie-Desiree Fournier, was the goddaughter of the Swedish crown prince, Charles Bernadotte, from whom the current Swedish monarchs are descended. His father, Auguste Manet, was a French judge who expected Edouard to pursue a career in law. His uncle, Charles Fournier, encouraged him to pursue painting and often took young Manet to the Louvre. In 1845, following the advice of his uncle, Manet enrolled in a special course of drawing where he met Antonin Proust, future Minister of Fine Arts, and a subsequent life-long friend.
At his father’s suggestion, in 1848 he sailed on a training vessel to Rio de Janeiro. After twice failing the examination to join the navy, the elder Manet relented to his son’s wishes to pursue an art education. From 1850 to 1856, Manet studied under the academic painter Thomas Couture, a painter of large historical paintings. In his spare time he copied the old masters in the Louvre.
From 1853 to 1856 he visited Germany, Italy, and the Netherlands, during which time he absorbed the influences of the Dutch painter Frans Hals, and the Spanish artists Diego Velazquez andFrancisco Jose de Goya.
In 1856, he opened his own studio. His style in this period was characterized by loose brush strokes, simplification of details, and the suppression of transitional tones. Adopting the current style of realism initiated byGustave Courbet, he painted The Absinthe Drinker (1858-59) and other contemporary subjects such as beggars, singers, Gypsies, people in cafes, and bullfights. After his early years, he rarely painted religious, mythological, or historical subjects, examples include his Christ Mocked, now in the Art Institute of Chicago, and Christ with Angels, in the Metropolitan Museum of Art, New York.
He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honore Fragonard, Morisot’s paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years.
Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene.
In Corner of a Cafe Concert, a man smokes while behind him a waitress serves drinks. In The Beer Drinkers a woman enjoys her beer in the company of a friend. In The Cafe Concert, shown at right, a sophisticated gentleman sits at a bar while a waitress stands resolutely in the background, sipping her drink. In The Waitress, a serving woman pauses for a moment behind a seated customer smoking a pipe, while a ballet dancer, with arms extended as she is about to turn, is on stage in the background.
Manet also painted the upper class enjoying more formal social activities. In Masked ball at the Opera, Manet shows a lively crowd of people enjoying a party. Men stand with top hats and long black suits while talking to women with masks and costumes. He included portraits of his friends in this picture.
Manet depicted other popular activities in his work. In Racing at Longchamp, an unusual perspective is employed to underscore the furious energy of racehorses as they rush toward the viewer. In Skating Manet shows a well dressed woman in the foreground, while others skate behind her. Always there is the sense of active urban life continuing behind the subject, extending outside the frame of the canvas.
In View of the International Exhibition, soldiers relax, seated and standing, prosperous couples are talking. There is a gardener, a boy with a dog, a woman on horseback – in short, a sample of the classes and ages of the people of Paris.
Manet depicted many scenes of the streets of Paris in his works. The Rue Mosnier Decked with Flags depicts red, white, and blue pennants covering buildings on either side of the street-another painting of the same title features a one-legged man walking with crutches. Again depicting the same street, but this time in a different context, is Rue Monsnier with Pavers, in which men repair the roadway while people and horses move past.
The Railway, widely known as The Gare Saint-Lazare, was painted in 1873. The setting is the urban landscape of Paris in the late nineteenth century. Using his favorite model in his last painting of her, a fellow painter,Victorine Meurent, also the model for Olympia and the Luncheon on the Grass, sits before an iron fence holding a sleeping puppy and an open book in her lap. Next to her is a little girl with her back to the painter, who watches a train pass beneath them.
He completed painting his last major work, A Bar at the Folies-Bergere (Le Bar aux Folies-Bergere), in 1882 and it hung in the Salon that year.
In 1875, a French edition of Edgar Allan Poe’s The Raven included lithographs by Manet and translation by Mallarme.
In 1881, with pressure from his friend Antonin Proust, the French government awarded Manet the Legion d’honneur.
In 1863 Manet married Suzanne Leenhoff, a Dutch-born piano teacher of his own age with whom he had been romantically involved for approximately ten years. Leenhoff initially had been employed by Manet’s father, Auguste, to teach Manet and his younger brother piano. She also may have been Auguste’s mistress. In 1852, Leenhoff gave birth, out of wedlock, to a son, Leon Koella Leenhoff.
After the death of his father in 1862, Manet married Suzanne. Eleven-year-old Leon Leenhoff, whose father may have been either of the Manets, posed often for Manet. Most famously, he is the subject of the Boy Carrying a Sword of 1861 (Metropolitan Museum of Art, New York). He also appears as the boy carrying a tray in the background of The Balcony.
Manet died of untreated syphilis and rheumatism, which he contracted in his forties. The disease caused him considerable pain and partial paralysis from locomotor ataxia in the years prior to his death.
His left foot was amputated because of gangrene, an operation followed eleven days later by his death. He died at the age of fifty-one in Paris in 1883, and is buried in the Cimetiere de Passy in the city.
In 2000, one of his paintings sold for over $20 million.
Read more1–100/246개 결과 표시
Jeanne (Spring) 1881
으로 에두아르 마네크기 시작 ₩303,049Self-Portrait with Palette 1879
으로 에두아르 마네크기 시작 ₩275,769Luncheon on the Grass 1863
으로 에두아르 마네크기 시작 ₩373,229A Bar at the Folies-Bergère
으로 에두아르 마네크기 시작 ₩316,089Boating 1874
으로 에두아르 마네크기 시작 ₩316,089Olympia 1863
으로 에두아르 마네크기 시작 ₩335,919Banks of the Seine at Argenteuil 1874
으로 에두아르 마네크기 시작 ₩286,419Music in the Tuileries 1862
으로 에두아르 마네크기 시작 ₩426,089Chez le Père Lathuille, 1879
으로 에두아르 마네크기 시작 ₩326,519The Execution of Emperor Maximilian 1868
으로 에두아르 마네크기 시작 ₩332,149Moonlight over the Port of Boulogne 1868
으로 에두아르 마네크기 시작 ₩252,439The Folkestone Boat, Boulogne
으로 에두아르 마네크기 시작 ₩255,999In the Conservatory 1879
으로 에두아르 마네크기 시작 ₩312,119Interior at Arcachon 1871
으로 에두아르 마네크기 시작 ₩296,239A Game of Croquet 1873
으로 에두아르 마네크기 시작 ₩339,879Fishing
으로 에두아르 마네크기 시작 ₩381,389Berthe Morisot With a Bouquet of Violets 1872
으로 에두아르 마네크기 시작 ₩292,829The Absinthe Drinker 1859
으로 에두아르 마네크기 시작 ₩333,669At the Café Concert 1879
으로 에두아르 마네크기 시작 ₩326,519Corner of a Café-Concert
으로 에두아르 마네크기 시작 ₩304,169Le Bar Aux Folies-Bergère 1881
으로 에두아르 마네크기 시작 ₩268,939Monet Painting on His Studio Boat 1874
으로 에두아르 마네크기 시작 ₩300,189The Old Musician 1862
으로 에두아르 마네크기 시작 ₩378,529Luncheon in the Studio 1868
으로 에두아르 마네크기 시작 ₩344,829Argenteuil 1874
으로 에두아르 마네크기 시작 ₩340,259The Railway 1873
으로 에두아르 마네크기 시작 ₩300,189Bullfight 1865
으로 에두아르 마네크기 시작 ₩279,189Landhaus in Rueil 1882
으로 에두아르 마네크기 시작 ₩261,819Woman with Fans 1873
으로 에두아르 마네크기 시작 ₩306,459At the Races 1865
으로 에두아르 마네크기 시작 ₩333,669The Races at Longchamp 1866
으로 에두아르 마네크기 시작 ₩370,809On the Beach, Boulogne-sur-Mer
으로 에두아르 마네크기 시작 ₩391,119The Spanish Singer 1860
으로 에두아르 마네크기 시작 ₩282,599The Young Flautist, 1866
으로 에두아르 마네크기 시작 ₩330,269Plum Brandy 1877
으로 에두아르 마네크기 시작 ₩306,459Mademoiselle V… in the Costume of an Espada 1862
으로 에두아르 마네크기 시작 ₩282,599Portrait of Eva Gonzalés in Manet’s studio 1870
으로 에두아르 마네크기 시작 ₩303,049Laundry (Le Linge) 1875
으로 에두아르 마네크기 시작 ₩304,169At the Milliner’s (La Modiste)
으로 에두아르 마네크기 시작 ₩265,519Blonde Woman with Bare Breasts 1872
으로 에두아르 마네크기 시작 ₩272,359The Battle of the U.S.S. “Kearsarge” and the C.S.S. “Alabama” 1864
으로 에두아르 마네크기 시작 ₩235,449Rochefort’s Escape 1881
으로 에두아르 마네크기 시작 ₩238,279Rochefort’s Escape 1881
으로 에두아르 마네크기 시작 ₩304,169The Kearsarge at Boulogne 1864
으로 에두아르 마네크기 시작 ₩255,999The Steamboat, Seascape with Porpoises 1868
으로 에두아르 마네크기 시작 ₩255,999Sea View, Calm Weather 1864
으로 에두아르 마네크기 시작 ₩255,269The Toilers of the Sea 1873
으로 에두아르 마네크기 시작 ₩304,169Tarring the Boat 1873
으로 에두아르 마네크기 시작 ₩249,609Mr. Eugène Petuiset, the Lion Hunter 1881
으로 에두아르 마네크기 시작 ₩265,519Young woman in flowers 1879
으로 에두아르 마네크기 시작 ₩279,189Boy in Flowers (Jacques Hoschedé) 1876
으로 에두아르 마네크기 시작 ₩332,499The Monet Family in Their Garden at Argenteuil 1874
으로 에두아르 마네크기 시작 ₩326,869Argenteuil, Boat (study)
으로 에두아르 마네크기 시작 ₩263,759Music Lesson 1870
으로 에두아르 마네크기 시작 ₩300,189Reclining Young Woman in Spanish Costume
으로 에두아르 마네크기 시작 ₩279,969Le Repose 1871
으로 에두아르 마네크기 시작 ₩289,419Lola of Valence, 1862
으로 에두아르 마네크기 시작 ₩289,419Masked Ball at the Opera, 1873
으로 에두아르 마네크기 시작 ₩255,999Portrait d’Ernest Hoschedé et sa fille Marthe 1876
으로 에두아르 마네크기 시작 ₩316,089Portrait of Madame Edouard Manet on a blue sofa 1874
으로 에두아르 마네크기 시작 ₩275,769Portrait of the Poet Zacharie Astruc 1866
으로 에두아르 마네크기 시작 ₩282,599Spanish Ballet 1862
으로 에두아르 마네크기 시작 ₩402,469Stéphane Mallarmé 1876
으로 에두아르 마네크기 시작 ₩286,009The Balcony
으로 에두아르 마네크기 시작 ₩353,979Woman Reading
으로 에두아르 마네크기 시작 ₩275,769Woman With a Jug
으로 에두아르 마네크기 시작 ₩265,519Émilie Ambre as Carmen 1880
으로 에두아르 마네크기 시작 ₩279,189Grand Canal in Venice 1874
으로 에두아르 마네크기 시작 ₩246,779The grand canal of Venice (Blue Venice) 1874
으로 에두아르 마네크기 시작 ₩253,089The Garden 1870
으로 에두아르 마네크기 시작 ₩332,149The Rue Mosnier with Flags 1878
으로 에두아르 마네크기 시작 ₩255,999Emile Zola
으로 에두아르 마네크기 시작 ₩282,599George Moore in the Artist’s Garden 1879
으로 에두아르 마네크기 시작 ₩275,769Women at the Races 1866
으로 에두아르 마네크기 시작 ₩312,119La Nymphe surprise 1861
으로 에두아르 마네크기 시작 ₩282,599Nana 1877
으로 에두아르 마네크기 시작 ₩286,009Madame Manet at Bellevue 1880
으로 에두아르 마네크기 시작 ₩252,439Portrait of a Woman with a Black Fichu 1878
으로 에두아르 마네크기 시작 ₩275,769Méry Laurent Wearing a small Toque 1882
으로 에두아르 마네크기 시작 ₩316,669Portrait of Monsieur Brun 1879
으로 에두아르 마네크기 시작 ₩316,669Woman with a Fan 1862
으로 에두아르 마네크기 시작 ₩279,189On the Beach 1873
으로 에두아르 마네크기 시작 ₩255,999Woman Lying On Sofa 1873
으로 에두아르 마네크기 시작 ₩286,009Portrait of Isabelle Lemonnier 1877
으로 에두아르 마네크기 시작 ₩279,189The Little Cavaliers 1860
으로 에두아르 마네크기 시작 ₩423,009The Bullfight 1864
으로 에두아르 마네크기 시작 ₩500,409View of the Paris Universal Exhibition 1867
으로 에두아르 마네크기 시작 ₩327,189Croquet at Boulogne 1871
으로 에두아르 마네크기 시작 ₩355,719Boats at Berck-sur-Mer 1873
으로 에두아르 마네크기 시작 ₩294,919Sea in Stormy Weather 1873
으로 에두아르 마네크기 시작 ₩264,739Rising tide 1873
으로 에두아르 마네크기 시작 ₩253,089The Jetty of Boulogne-sur-Mer 1868
으로 에두아르 마네크기 시작 ₩249,609Marine in Holland 1872
으로 에두아르 마네크기 시작 ₩252,439The ship’s deck 1860
으로 에두아르 마네크기 시작 ₩249,609Polichinelle 1873
으로 에두아르 마네크기 시작 ₩313,269The Dead Toreador 1864
으로 에두아르 마네크기 시작 ₩384,349A Matador
으로 에두아르 마네크기 시작 ₩309,859Young Man in the Costume of a Majo 1863
으로 에두아르 마네크기 시작 ₩309,859Beggar with a Duffle Coat (Philosopher)
으로 에두아르 마네크기 시작 ₩333,669Beggar with Oysters (Philosopher)
으로 에두아르 마네크기 시작 ₩333,669