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프레드릭 칼 프리제케
Frederick Carl Frieseke (April 7, 1874 – August 24, 1939) was an American Impressionist painter whose early work was influenced by James Abbott McNeill Whistler and whose later work strongly reflected the explorations of the French Impressionists. His paintings of voluptuous full-bodied women, many painted at his country home in Giverny, France, recall the work of Pierre Auguste Renoir.
Frederick Carl, was born in Owosso in 1874. In 1893, Frieseke graduated from Owosso High School, then began his artistic training at the Art Institute of Chicago, studying with Frederick Warren Freer and John Vanderpoel. After moving to New York in 1895, he resumed his art education at the Art Students League in 1897. He worked as an illustrator, selling cartoons he had drawn to The New York Times, Puck, and Truth. He claimed that he might have curtailed his art education if he had been more successful in that endeavor.
The following year, he moved to France, where he would remain, except for short visits to the United States and elsewhere, as an expatriate for the rest of his life. He did continue his education, enrolling at the Académie Julian in Paris, studying under Jean-Joseph Benjamin-Constant and Jean-Paul Laurens, and receiving criticism from Auguste Joseph Delécluse. His studies also included some time at Académie Carmen under James Abbott McNeill Whistler. Frieseke visited Holland, including the Katwijk and Laren artist colonies, in the summer of 1898. During this time he sketched and painted in watercolors, and he initially planned to make that his specialty, but he was encouraged by Académie Carmen instructor Frederick William MacMonnies to work in oils.
Starting in 1899, just over a year since his arrival in Paris, Frieseke exhibited at the Salon of the Société Nationale des Beaux-Arts. Whistler’s influence is evident in Frieseke’s early mature paintings, with close tonalities. By his post-1900 work, his palette had evolved toward that of the Impressionists, becoming light and colorful; however, he still retained the strong linear customs of art back in the United States. In the summer of 1905, he spent at least a month in the Giverny art colony. In October of that year he married Sarah Anne O’Bryan (known as Sadie), whom he had met seven years earlier. Frieseke and his wife (and later, their daughter) spent every summer from 1906 to 1919 in Giverny. He kept a Paris apartment and studio throughout his life, and the Friesekes spent the winters in Paris.
He became the leading figure of the second generation of Americans at Giverny and acquired the house next door to Monet, which had been recently vacated by Theodore Robinson. But he seems never to have become a familiar to the elderly impressionist master, nor to have patterned his work after him. He acknowledged the dominant influence of Renoir, and the generously proportioned figures in his paintings often resemble those of Renoir.
The Friesekes’ Giverny home and the garden they created there were often featured in his paintings, and his wife would frequently pose for him. He also kept another studio nearby on the Epte river. Many of his outdoor nudes were painted there. After spending some time in Giverny, his unique style quickly emerged, and he would be quite influential with most of the other members of the colony. Although well known as an Impressionist, some of his work, with its “intense, almost arbitrary colors”, demonstrates the Post-Impressionist influence of artists Paul Gauguin and Pierre Bonnard. The term “Decorative Impressionism” was coined by an art writer to refer to Frieseke’s style. It combined the decorative style of Les Nabis, expressively using color and pattern, with classic Impressionist interests in atmosphere and sunlight.
He was very interested in rendering sunlit subjects on canvas, saying, “It is sunshine, flowers in sunshine; girls in sunshine; the nude in sunshine, which I have been principally interested in. If I could only reproduce it exactly as I see it I would be satisfied.” However, his interpretation of sunshine often did not appear natural. According to a recent observer, “His light hardly seems to be plein air light at all. In fact it seems entirely artificial … a stunning concoction of blues and magentas frosted with early summer green and flecks of white.”
In 1920 Frieseke and his family moved to a farm in Le Mesnil-sur-Blangy, Normandy. His art of this period concentrated on female figures, particularly nudes. While developing a more modern style, he included historical and contemporary references. He used a darker color palette and limited his use of surface patterns. In these works, his interest in chiaroscuro may be discerned. In 1923 he left the Salon of the Société Nationale des Beaux-Arts and co-founded, with other artists, the Salon des Tuileries. He resumed painting in watercolors, especially while on trips to Nice in the winter and during a 1930 to 1932 visit to Switzerland. Frieseke had established a superb reputation during his career. A 1931 book refers to Frieseke as “one of the most prominent members of our self-exiled Americans.”
He died in his Normandy home on August 24, 1939, of an aneurysm.
He won many awards during his career. In 1904 he received a silver medal in St. Louis at the Louisiana Purchase Exposition and was awarded a gold medal at the Munich International Art Exposition. He was honored with the William A. Clark Prize at the Corcoran Gallery of Art’s 1908 biennial, and the Temple Gold Medal in the Pennsylvania Academy of the Fine Arts’ annual exhibition of 1913. One of his greatest honors was winning the Grand Prize at the Panama–Pacific International Exposition, which was held in San Francisco in 1915. Among his entries was Summer, now at the Metropolitan Museum of Art. The New York Times proclaimed in June 1915: “Mr. Frieseke, whose accomplished work is well known to New Yorkers, says the last word in the style that was modern before the Modernists came along. Whatever he does has a sense of design, color, and style. A sense of gayety, an entertaining and well considered pattern, a remarkable knowledge of the effect of outdoor light on color are found in nearly all of his most recent paintings.”
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The Garden
으로 프레드릭 칼 프리제케크기 시작 ₩282,599The Garden Pool
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Grey Day On The River
으로 프레드릭 칼 프리제케크기 시작 ₩279,189On The River
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Foxgloves
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Sunspots
으로 프레드릭 칼 프리제케크기 시작 ₩286,989Cherry Blossoms
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Yellow Tulips
으로 프레드릭 칼 프리제케크기 시작 ₩258,879The Garden Path
으로 프레드릭 칼 프리제케크기 시작 ₩279,189The Kitchen Door
으로 프레드릭 칼 프리제케크기 시작 ₩279,189La Poudreuse (Woman Selecting A Necklace)
으로 프레드릭 칼 프리제케크기 시작 ₩248,419The Lattice Gate
으로 프레드릭 칼 프리제케크기 시작 ₩279,189The Hammock
으로 프레드릭 칼 프리제케크기 시작 ₩255,359Woman With Parasol
으로 프레드릭 칼 프리제케크기 시작 ₩275,769In The Boudoir
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Afternoon – Yellow Room
으로 프레드릭 칼 프리제케크기 시작 ₩251,839Hollyhocks
으로 프레드릭 칼 프리제케크기 시작 ₩248,419The Japanese Parasol
으로 프레드릭 칼 프리제케크기 시작 ₩279,189The Garden Parasol
으로 프레드릭 칼 프리제케크기 시작 ₩297,509The Garden Umbrella
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Lady With A Parasol
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Lady With Parasol
으로 프레드릭 칼 프리제케크기 시작 ₩279,969The Robe
으로 프레드릭 칼 프리제케크기 시작 ₩282,599The Yellow Room
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Two Young Women In A Garden
으로 프레드릭 칼 프리제케크기 시작 ₩275,769Cherry Blossoms
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Girl In Blue Arranging Flowers
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Morning
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Nude In Dappled Sunlight
으로 프레드릭 칼 프리제케크기 시작 ₩297,509Nude Seated At Her Dressing Table
으로 프레드릭 칼 프리제케크기 시작 ₩275,769On The Dunes
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Portrait Of A Woman (With Cactus)
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Summer
으로 프레드릭 칼 프리제케크기 시작 ₩282,599Reflections
으로 프레드릭 칼 프리제케크기 시작 ₩275,769The Gold Locket
으로 프레드릭 칼 프리제케크기 시작 ₩251,839Sun And Wind
으로 프레드릭 칼 프리제케크기 시작 ₩279,189In The Garden
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Sunbath
으로 프레드릭 칼 프리제케크기 시작 ₩286,989The Blue Bowl
으로 프레드릭 칼 프리제케크기 시작 ₩275,769The Blue Coat
으로 프레드릭 칼 프리제케크기 시작 ₩272,359The Blue Gown
으로 프레드릭 칼 프리제케크기 시작 ₩322,009Blue Interior
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Unraveling Silk
으로 프레드릭 칼 프리제케크기 시작 ₩251,839The Green Sash
으로 프레드릭 칼 프리제케크기 시작 ₩299,649The Window
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Through The Vines
으로 프레드릭 칼 프리제케크기 시작 ₩269,429Before Her Appearance
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Woman Before A Mirror
으로 프레드릭 칼 프리제케크기 시작 ₩275,769Woman With A Mirror
으로 프레드릭 칼 프리제케크기 시작 ₩248,419On The River
으로 프레드릭 칼 프리제케크기 시작 ₩282,599Repose At Noonday
으로 프레드릭 칼 프리제케크기 시작 ₩275,769En Promenade
으로 프레드릭 칼 프리제케크기 시작 ₩275,769Bal-Bullier, Paris
으로 프레드릭 칼 프리제케크기 시작 ₩296,239Breakfast In The Garden
으로 프레드릭 칼 프리제케크기 시작 ₩272,359Lady On A Beach
으로 프레드릭 칼 프리제케크기 시작 ₩283,479On The Beach
으로 프레드릭 칼 프리제케크기 시작 ₩248,419On The Beach (Girl In Blue)
으로 프레드릭 칼 프리제케크기 시작 ₩255,359Lady Trying On A Hat
으로 프레드릭 칼 프리제케크기 시작 ₩279,189The Open Window
으로 프레드릭 칼 프리제케크기 시작 ₩282,599Posing With Posies
으로 프레드릭 칼 프리제케크기 시작 ₩248,419The Judas Tree
으로 프레드릭 칼 프리제케크기 시작 ₩282,599Rose Garden
으로 프레드릭 칼 프리제케크기 시작 ₩248,419The Flower Garden
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Lilies
으로 프레드릭 칼 프리제케크기 시작 ₩286,989Lady In A Garden
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Nude In Flowers
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Hollyhocks
으로 프레드릭 칼 프리제케크기 시작 ₩377,589On The Bank
으로 프레드릭 칼 프리제케크기 시작 ₩299,649Two Women on the Grass
으로 프레드릭 칼 프리제케크기 시작 ₩282,599The House In Giverny
으로 프레드릭 칼 프리제케크기 시작 ₩261,819Portrait Of Medora Clark
으로 프레드릭 칼 프리제케크기 시작 ₩275,769Girl With Necklace
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Giverny Landscape
으로 프레드릭 칼 프리제케크기 시작 ₩249,609Hill At Giverny
으로 프레드릭 칼 프리제케크기 시작 ₩249,609In The Nursery
으로 프레드릭 칼 프리제케크기 시작 ₩293,999La Coiffure
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Lady In Pink
으로 프레드릭 칼 프리제케크기 시작 ₩272,359Girl Reading
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Nasturtiums
으로 프레드릭 칼 프리제케크기 시작 ₩275,769Portrait Of Madame Gely
으로 프레드릭 칼 프리제케크기 시작 ₩272,359Reflections
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Reflections
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Summer Reading
으로 프레드릭 칼 프리제케크기 시작 ₩251,839Tea In The Garden
으로 프레드릭 칼 프리제케크기 시작 ₩268,939The Basket Of Flowers
으로 프레드릭 칼 프리제케크기 시작 ₩251,839The Birdcage
으로 프레드릭 칼 프리제케크기 시작 ₩255,259The Breakfast Room
으로 프레드릭 칼 프리제케크기 시작 ₩251,839The Garden Chair
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Woman At A Dressing Table
으로 프레드릭 칼 프리제케크기 시작 ₩248,419Young Girl Before A Mirror In A Pink Dress
으로 프레드릭 칼 프리제케크기 시작 ₩282,599Blue Girl Reading
으로 프레드릭 칼 프리제케크기 시작 ₩296,239Garden In June
으로 프레드릭 칼 프리제케크기 시작 ₩279,189The Yellow Tulip
으로 프레드릭 칼 프리제케크기 시작 ₩286,009Woman With A Mirror
으로 프레드릭 칼 프리제케크기 시작 ₩299,649Dress Of 1860
으로 프레드릭 칼 프리제케크기 시작 ₩251,839Medora Clark At The Clark Apartment, Paris
으로 프레드릭 칼 프리제케크기 시작 ₩279,189Nude In A Glade
으로 프레드릭 칼 프리제케크기 시작 ₩286,009Sleep
으로 프레드릭 칼 프리제케크기 시작 ₩286,009Nude
으로 프레드릭 칼 프리제케크기 시작 ₩251,839Woman At A Piano
으로 프레드릭 칼 프리제케크기 시작 ₩275,769