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John Singer Sargent, the son of an American doctor, was born in Florence in 1856. He studied painting in Italy and France and in 1884 caused a sensation at the Paris Salon with his painting of Madame Gautreau. Exhibited as Madame X, people complained that the painting was provocatively erotic.
The scandal persuaded Sargent to move to England and over the next few years established himself as the country’s leading portrait painter. This included portraits of Joseph Chamberlain (1896), Frank Swettenham (1904) and Henry James (1913). Sargent made several visits to the USA where as well as portraits he worked on a series of decorative paintings for public buildings such as the Boston Public Library (1890) and the Museum of Fine Arts (1916).
In 1879, Sargent painted a portrait of Carolus-Duran, the virtuoso effort met with public approval, and announced the direction his mature work would take. Its showing at the Paris Salon was both a tribute to his teacher and an advertisement for portrait commissions. Of Sargent’s early work, Henry James wrote that the artist offered ‘the slightly “uncanny” spectacle of a talent which on the very threshold of its career has nothing more to learn’.
In the early 1880s Sargent regularly exhibited portraits at the Salon, and these were mostly full-length portrayals of women: >Madame Edouard Pailleron in 1880, Madame Ramon Subercaseaux in 1881, and Lady with the Rose, 1882. He continued to receive positive critical notice.
Sargent’s best portraits reveal the individuality and personality of the sitters, his most ardent admirers think he is matched in this only by Velazquez, who was one of Sargent’s great influences. The Spanish master’s spell is apparent in Sargent’s The Daughters of Edward Darley Boit, 1882, a haunting interior which echoes Velazquez’ Las Meninas. Sargent’s Portrait of >Madame X,, done in 1884, is now considered one of his best works, and was the artist’s personal favorite, eventually Sargent sold it to the Metropolitan Museum of Art. However, at the time it was unveiled in Paris at the 1884 Salon, it aroused such a negative reaction that it prompted Sargent to move to London. Prior to the Mme. X. scandal of 1884, he had painted exotic beauties such as Rosina Ferrara of Capri, and the Spanish expatriate model, Carmela Bertagna, but the earlier pictures had not been intended for broad public reception.
Before his arrival in England, Sargent began sending paintings for exhibition at the Royal Academy. These included the portraits of Dr. Pozzi at Home, 1881, a flamboyant essay in red, and the more traditional Mrs. Henry White, 1883. The ensuing portrait commissions encouraged Sargent to finalize his move to London in 1886. His first major success at the Royal Academy came in 1887, with the enthusiastic response to Carnation, Lily, Lily, Rose, a large piece, painted on site, of two young girls lighting lanterns in an English garden. The painting was immediately purchased by the Tate Gallery. In 1894 Sargent was elected an associate of the Royal Academy, and was made a full member three years later. In the 1890s he averaged fourteen portrait commissions per year, none more beautiful than the genteel Lady Agnew of Lochnaw, 1892. As a portrait painter in the grand manner, Sargent’s success was unmatched, his subjects were at once ennobled and often possessed of nervous energy (Mrs. Hugh Hammersley, 1892). With little fear of contradiction, Sargent was referred to as ‘the Van Dyck of our times’.
Sargent painted a series of three portraits of Robert Louis Stevenson. The second, Portrait of Robert Louis Stevenson and his Wife (1885), was one of his best known. He also completed portraits of two U.S. presidents: Theodore Roosevelt and Woodrow Wilson.
During the greater part of Sargent’s career, he created roughly 900 oil paintings and more than 2,000 watercolours, as well as countless sketches and charcoal drawings. From 1907 on Sargent forsook portrait painting and focused on landscapes in his later years, he also sculpted later in life. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Montana and Florida, and each destination offered pictorial treasure. As a concession to the insatiable demand of wealthy patrons for portraits, however, he continued to dash off rapid charcoal portrait sketches for them, which he called “Mugs”. Forty-six of these, spanning the years 1890-1916, were exhibited at the Royal Society of Portrait Painters in 1916.
Sargent is usually not thought of as an Impressionist painter, but he sometimes used impressionistic techniques to great effect, and his Claude Monet Painting at the Edge of a Wood is rendered in his own version of the impressionist style.
Although Sargent was an American expatriate, he returned to the United States many times, often to answer the demand for commissioned portraits. Many of his most important works are in museums in the U.S., in 1909 he exhibited eighty-six watercolours in New York City, eighty-three of which were bought by the Brooklyn Museum. His mural decorations grace the Boston Public Library. For this commission, a series of oils on the theme of The Triumph of Religion that were attached to the walls of the library by means of marouflage, Sargent made numerous visits to the United States in the last decade of his life, including a stay of two full years from 1915-1917.
It is in some of his late works where one senses Sargent painting most purely for himself. His watercolors, often of landscapes documenting his travels (Santa Maria della Salute, 1904, Brooklyn Museum of Art), were executed with a joyful fluidness. In watercolours and oils he portrayed his friends and family dressed in Orientalist costume, relaxing in brightly lit landscapes that allowed for a more vivid palette and experimental handling than did his commissions (The Chess Game, 1906).Portrait of Robert Louis Stevenson and his Wife sold in 2004 for $8.8 million to Las Vegas casino mogul Steve Wynn to be installed at his newest casino, Wynn Las Vegas.
In December 2004, Group with Parasols (A Siesta) (1905) sold for $US 23.5 million, nearly double the Sotheby’s estimate of $12 million. The previous highest price for a Sargent painting was $US 11 million.
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Mrs. Louis E. Raphael (Henriette Goldschmidt) 1906
으로 존 싱어 사젠트크기 시작 ₩339,879Madame Paul Escudier (Louise Lefevre) 1882
으로 존 싱어 사젠트크기 시작 ₩327,989Portrait of Mrs Robert Harrison 1886
으로 존 싱어 사젠트크기 시작 ₩413,089François Flameng and Paul Helleu
으로 존 싱어 사젠트크기 시작 ₩300,189Madame Escudier 1883
으로 존 싱어 사젠트크기 시작 ₩304,169Mademoiselle Suzanne Poirson 1884
으로 존 싱어 사젠트크기 시작 ₩312,119Miss Beatrice Townsend 1882
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으로 존 싱어 사젠트크기 시작 ₩305,079Portrait of Édouard and Marie-Louise Pailleron 1881
으로 존 싱어 사젠트크기 시작 ₩292,239Grace Elvina, Marchioness Curzon of Kedleston 1925
으로 존 싱어 사젠트크기 시작 ₩316,089Madame Ramon Subercaseaux 1880
으로 존 싱어 사젠트크기 시작 ₩339,879Marie Buloz Pailleron 1879
으로 존 싱어 사젠트크기 시작 ₩424,899Portrait of Lisa Colt Curtis 1898
으로 존 싱어 사젠트크기 시작 ₩432,769Portrait of Lady Helen Vincent 1904
으로 존 싱어 사젠트크기 시작 ₩335,919Betty Wertheimer 1908
으로 존 싱어 사젠트크기 시작 ₩304,169Portrait of Mrs. Charles Beatty alexander
으로 존 싱어 사젠트크기 시작 ₩343,839Portrait of Mrs. Edward L. Davis and Her Son, Livingston Davis 1890
으로 존 싱어 사젠트크기 시작 ₩379,419Pozzi, Samuel 1881
으로 존 싱어 사젠트크기 시작 ₩428,839Princess Demidoff
으로 존 싱어 사젠트크기 시작 ₩371,529Ena and Betty Daughters of Wertheimer 1901
으로 존 싱어 사젠트크기 시작 ₩327,989Florence addicks
으로 존 싱어 사젠트크기 시작 ₩296,219Madame Paul Poirson 1885
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으로 존 싱어 사젠트크기 시작 ₩327,989Miss Grace Woodhouse 1890
으로 존 싱어 사젠트크기 시작 ₩375,479Mrs. albert Vickers 1884
으로 존 싱어 사젠트크기 시작 ₩432,769Alfred, Son of asher Wertheimer 1901
으로 존 싱어 사젠트크기 시작 ₩327,989Almina Daughter of asher Wertheimer 1908
으로 존 싱어 사젠트크기 시작 ₩320,059John Ridgely Carter 1901
으로 존 싱어 사젠트크기 시작 ₩304,169Lady Eden 1906
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으로 존 싱어 사젠트크기 시작 ₩436,699Mrs Philip Leslie agnew 1902
으로 존 싱어 사젠트크기 시작 ₩300,189Portrait of Miss alice Brisbane Thursby
으로 존 싱어 사젠트크기 시작 ₩420,969Portrait of Mrs a Lawrence Rotch 1903
으로 존 싱어 사젠트크기 시작 ₩351,759Portrait of Mrs Leopold Hirsch 1902
으로 존 싱어 사젠트크기 시작 ₩343,839Professor Ingram Bywater
으로 존 싱어 사젠트크기 시작 ₩343,839Robert De Cévrieux 1879
으로 존 싱어 사젠트크기 시작 ₩375,479Portrait of Laurence Millet 1887
으로 존 싱어 사젠트크기 시작 ₩347,799Mademoiselle Jourdain 1889
으로 존 싱어 사젠트크기 시작 ₩320,059Robert Louis Stevenson 1887
으로 존 싱어 사젠트크기 시작 ₩305,079Charles Stewart, Sixth Marquess of Londonderry
으로 존 싱어 사젠트크기 시작 ₩331,949Frederick Sleigh Roberts, 1St Earl Roberts 1906
으로 존 싱어 사젠트크기 시작 ₩347,799Miss Priestley 1889
으로 존 싱어 사젠트크기 시작 ₩331,949The Wyndham Sisters-Lady Elcho, Mrs. adeane, and Mrs. Tennant 1889
으로 존 싱어 사젠트크기 시작 ₩320,059Elsie Wagg 1893
으로 존 싱어 사젠트크기 시작 ₩320,059Mrs. Charles anstruther-Thomson 1898
으로 존 싱어 사젠트크기 시작 ₩347,799Madame Errázuriz 1883
으로 존 싱어 사젠트크기 시작 ₩300,189Evelyn Baring, 1St Earl of Cromer
으로 존 싱어 사젠트크기 시작 ₩343,839Charles Martin Loeffler, 1903
으로 존 싱어 사젠트크기 시작 ₩324,019Claude Monet 1887
으로 존 싱어 사젠트크기 시작 ₩304,169Cornelius Vanderbilt Ii 1890
으로 존 싱어 사젠트크기 시작 ₩312,119Portrait of James Whitcomb Riley 1903
으로 존 싱어 사젠트크기 시작 ₩296,219Edith, Lady Playfair (Edith Russell) 1884
으로 존 싱어 사젠트크기 시작 ₩347,799Elizabeth allen Marquand 1887
으로 존 싱어 사젠트크기 시작 ₩351,759Elizabeth Winthrop Chanler (Mrs. John Jay Chapman) 1893
으로 존 싱어 사젠트크기 시작 ₩300,189Ellen Peabody Endicott 1901
으로 존 싱어 사젠트크기 시작 ₩327,989Henry Cabot Lodge 1890
으로 존 싱어 사젠트크기 시작 ₩335,919Henry James 1913
으로 존 싱어 사젠트크기 시작 ₩304,169Auguste Rodin, 1884
으로 존 싱어 사젠트크기 시작 ₩320,059Gitana 1876
으로 존 싱어 사젠트크기 시작 ₩300,189Gordon Greenough 1880
으로 존 싱어 사젠트크기 시작 ₩296,219Miss Violet Sargent, 1890
으로 존 싱어 사젠트크기 시작 ₩300,189Hylda, Daughter of asher and Mrs Wertheimer 1901
으로 존 싱어 사젠트크기 시작 ₩339,879Judith Gautier 1885
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으로 존 싱어 사젠트크기 시작 ₩339,879Lord Ribblesdale 1902
으로 존 싱어 사젠트크기 시작 ₩383,369Miss Cara Burch 1888
으로 존 싱어 사젠트크기 시작 ₩296,219Mrs adrian Iselin 1888
으로 존 싱어 사젠트크기 시작 ₩359,669Mrs Ernest Hills of Redleaf 1895
으로 존 싱어 사젠트크기 시작 ₩339,879Mrs Frank Millet
으로 존 싱어 사젠트크기 시작 ₩316,089Mrs. asher B. Wertheimer 1898
으로 존 싱어 사젠트크기 시작 ₩343,839Mrs. Charles Russel 1908
으로 존 싱어 사젠트크기 시작 ₩316,089Mrs. Edward Darley Boit (Mary Louisa Cushing) 1887
으로 존 싱어 사젠트크기 시작 ₩327,989Mrs. George Mosenthal 1906
으로 존 싱어 사젠트크기 시작 ₩308,139Mrs. Hugh Smith 1904
으로 존 싱어 사젠트크기 시작 ₩312,119Mrs. Joshua Montgomery Sears (Sarah Choate Sears) 1899
으로 존 싱어 사젠트크기 시작 ₩343,839Mrs. William Crowninshield Endicott, Jr.
으로 존 싱어 사젠트크기 시작 ₩355,719Portrait of Frances Sherborne Ridley Watts 1877
으로 존 싱어 사젠트크기 시작 ₩304,169Self-Portrait 1892
으로 존 싱어 사젠트크기 시작 ₩304,169Mrs. Charles Deering (Marion Denison Whipple) 1888
으로 존 싱어 사젠트크기 시작 ₩296,219Caroline De Bassano, Marquise D’espeuilles
으로 존 싱어 사젠트크기 시작 ₩339,879W. Graham Robertson, 1894
으로 존 싱어 사젠트크기 시작 ₩413,089William Merritt Chase
으로 존 싱어 사젠트크기 시작 ₩339,879Theodore Roosevelt
으로 존 싱어 사젠트크기 시작 ₩339,879Mrs Wertheimer 1904
으로 존 싱어 사젠트크기 시작 ₩347,799Portrait of Ena Wertheimer-A Vele Gonfie 1905
으로 존 싱어 사젠트크기 시작 ₩343,839Carmela Bertagna
으로 존 싱어 사젠트크기 시작 ₩300,189Portrait of a Child
으로 존 싱어 사젠트크기 시작 ₩327,989Portrait of John alfred Parsons Millet 1892
으로 존 싱어 사젠트크기 시작 ₩339,879Blonde Model 1877
으로 존 싱어 사젠트크기 시작 ₩300,189Woman With Furs
으로 존 싱어 사젠트크기 시작 ₩312,119Lady Fishing-Mrs Ormond 1889
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으로 존 싱어 사젠트크기 시작 ₩304,169Mosquito Nets 1908
으로 존 싱어 사젠트크기 시작 ₩313,249The Mosquito Net 1912
으로 존 싱어 사젠트크기 시작 ₩304,169Breton Girl With a Basket 1877
으로 존 싱어 사젠트크기 시작 ₩363,619Breton Woman With a Basket 1877
으로 존 싱어 사젠트크기 시작 ₩347,799Young Boy on the Beach 1877
으로 존 싱어 사젠트크기 시작 ₩367,579The Piazza, on the Verandah 1921
으로 존 싱어 사젠트크기 시작 ₩320,059