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John Singer Sargent, the son of an American doctor, was born in Florence in 1856. He studied painting in Italy and France and in 1884 caused a sensation at the Paris Salon with his painting of Madame Gautreau. Exhibited as Madame X, people complained that the painting was provocatively erotic.
The scandal persuaded Sargent to move to England and over the next few years established himself as the country’s leading portrait painter. This included portraits of Joseph Chamberlain (1896), Frank Swettenham (1904) and Henry James (1913). Sargent made several visits to the USA where as well as portraits he worked on a series of decorative paintings for public buildings such as the Boston Public Library (1890) and the Museum of Fine Arts (1916).
In 1879, Sargent painted a portrait of Carolus-Duran, the virtuoso effort met with public approval, and announced the direction his mature work would take. Its showing at the Paris Salon was both a tribute to his teacher and an advertisement for portrait commissions. Of Sargent’s early work, Henry James wrote that the artist offered ‘the slightly “uncanny” spectacle of a talent which on the very threshold of its career has nothing more to learn’.
In the early 1880s Sargent regularly exhibited portraits at the Salon, and these were mostly full-length portrayals of women: >Madame Edouard Pailleron in 1880, Madame Ramon Subercaseaux in 1881, and Lady with the Rose, 1882. He continued to receive positive critical notice.
Sargent’s best portraits reveal the individuality and personality of the sitters, his most ardent admirers think he is matched in this only by Velazquez, who was one of Sargent’s great influences. The Spanish master’s spell is apparent in Sargent’s The Daughters of Edward Darley Boit, 1882, a haunting interior which echoes Velazquez’ Las Meninas. Sargent’s Portrait of >Madame X,, done in 1884, is now considered one of his best works, and was the artist’s personal favorite, eventually Sargent sold it to the Metropolitan Museum of Art. However, at the time it was unveiled in Paris at the 1884 Salon, it aroused such a negative reaction that it prompted Sargent to move to London. Prior to the Mme. X. scandal of 1884, he had painted exotic beauties such as Rosina Ferrara of Capri, and the Spanish expatriate model, Carmela Bertagna, but the earlier pictures had not been intended for broad public reception.
Before his arrival in England, Sargent began sending paintings for exhibition at the Royal Academy. These included the portraits of Dr. Pozzi at Home, 1881, a flamboyant essay in red, and the more traditional Mrs. Henry White, 1883. The ensuing portrait commissions encouraged Sargent to finalize his move to London in 1886. His first major success at the Royal Academy came in 1887, with the enthusiastic response to Carnation, Lily, Lily, Rose, a large piece, painted on site, of two young girls lighting lanterns in an English garden. The painting was immediately purchased by the Tate Gallery. In 1894 Sargent was elected an associate of the Royal Academy, and was made a full member three years later. In the 1890s he averaged fourteen portrait commissions per year, none more beautiful than the genteel Lady Agnew of Lochnaw, 1892. As a portrait painter in the grand manner, Sargent’s success was unmatched, his subjects were at once ennobled and often possessed of nervous energy (Mrs. Hugh Hammersley, 1892). With little fear of contradiction, Sargent was referred to as ‘the Van Dyck of our times’.
Sargent painted a series of three portraits of Robert Louis Stevenson. The second, Portrait of Robert Louis Stevenson and his Wife (1885), was one of his best known. He also completed portraits of two U.S. presidents: Theodore Roosevelt and Woodrow Wilson.
During the greater part of Sargent’s career, he created roughly 900 oil paintings and more than 2,000 watercolours, as well as countless sketches and charcoal drawings. From 1907 on Sargent forsook portrait painting and focused on landscapes in his later years, he also sculpted later in life. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Montana and Florida, and each destination offered pictorial treasure. As a concession to the insatiable demand of wealthy patrons for portraits, however, he continued to dash off rapid charcoal portrait sketches for them, which he called “Mugs”. Forty-six of these, spanning the years 1890-1916, were exhibited at the Royal Society of Portrait Painters in 1916.
Sargent is usually not thought of as an Impressionist painter, but he sometimes used impressionistic techniques to great effect, and his Claude Monet Painting at the Edge of a Wood is rendered in his own version of the impressionist style.
Although Sargent was an American expatriate, he returned to the United States many times, often to answer the demand for commissioned portraits. Many of his most important works are in museums in the U.S., in 1909 he exhibited eighty-six watercolours in New York City, eighty-three of which were bought by the Brooklyn Museum. His mural decorations grace the Boston Public Library. For this commission, a series of oils on the theme of The Triumph of Religion that were attached to the walls of the library by means of marouflage, Sargent made numerous visits to the United States in the last decade of his life, including a stay of two full years from 1915-1917.
It is in some of his late works where one senses Sargent painting most purely for himself. His watercolors, often of landscapes documenting his travels (Santa Maria della Salute, 1904, Brooklyn Museum of Art), were executed with a joyful fluidness. In watercolours and oils he portrayed his friends and family dressed in Orientalist costume, relaxing in brightly lit landscapes that allowed for a more vivid palette and experimental handling than did his commissions (The Chess Game, 1906).Portrait of Robert Louis Stevenson and his Wife sold in 2004 for $8.8 million to Las Vegas casino mogul Steve Wynn to be installed at his newest casino, Wynn Las Vegas.
In December 2004, Group with Parasols (A Siesta) (1905) sold for $US 23.5 million, nearly double the Sotheby’s estimate of $12 million. The previous highest price for a Sargent painting was $US 11 million.
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Mrs. Thayer’s Garden, Massachusetts 1885
으로 존 싱어 사젠트크기 시작 ₩266,599At Calcot
으로 존 싱어 사젠트크기 시작 ₩246,779Yoho Falls, 1916
으로 존 싱어 사젠트크기 시작 ₩253,089Valdemosa, Majorca-Thistles and Herbage on a Hillside 1908
으로 존 싱어 사젠트크기 시작 ₩261,819Ilex Wood. Majorca 1908
으로 존 싱어 사젠트크기 시작 ₩252,439At Broadway
으로 존 싱어 사젠트크기 시작 ₩267,649Camouflaged Field In France 1918
으로 존 싱어 사젠트크기 시작 ₩290,949A Waterfall
으로 존 싱어 사젠트크기 시작 ₩286,419Olive Trunk
으로 존 싱어 사젠트크기 시작 ₩269,429Bedouin Women Carrying Water Jars, 1891
으로 존 싱어 사젠트크기 시작 ₩275,089Egyptian Indigo Dyers 1891
으로 존 싱어 사젠트크기 시작 ₩312,119Life Study (Study of an Egyptian Girl) 1891
으로 존 싱어 사젠트크기 시작 ₩581,149A Bedouin arab
으로 존 싱어 사젠트크기 시작 ₩327,989Head of an arab 1891
으로 존 싱어 사젠트크기 시작 ₩320,059Man In a Blue Mantle 1891
으로 존 싱어 사젠트크기 시작 ₩316,089Tunis
으로 존 싱어 사젠트크기 시작 ₩316,089Arab Woman 1905
으로 존 싱어 사젠트크기 시작 ₩335,919Egyptian Woman 1890-91
으로 존 싱어 사젠트크기 시작 ₩296,219Egyptian Woman With Earrings 1890-91
으로 존 싱어 사젠트크기 시작 ₩304,169A Moroccan Street Scene 1879
으로 존 싱어 사젠트크기 시작 ₩240,329Tangier 1895
으로 존 싱어 사젠트크기 시작 ₩245,109Egyptians Raising Water From the Nile 1890-91
으로 존 싱어 사젠트크기 시작 ₩296,219The Sphinx
으로 존 싱어 사젠트크기 시작 ₩266,599The Temple of Denderah 1891
으로 존 싱어 사젠트크기 시작 ₩228,369Well Head With Kufic Inscription
으로 존 싱어 사젠트크기 시작 ₩240,329The Flight Into Egypt
으로 존 싱어 사젠트크기 시작 ₩300,189Water Carriers on the Nile 1891
으로 존 싱어 사젠트크기 시작 ₩249,609Two arab Women
으로 존 싱어 사젠트크기 시작 ₩305,079Pavement, Cairo 1891
으로 존 싱어 사젠트크기 시작 ₩249,609Landscape With Goatherd 1890-91
으로 존 싱어 사젠트크기 시작 ₩258,099Door of a Mosque 1891
으로 존 싱어 사젠트크기 시작 ₩258,099A Shaded Pathway In the Orient 1891
으로 존 싱어 사젠트크기 시작 ₩255,269Moorish Courtyard
으로 존 싱어 사젠트크기 시작 ₩261,819Syrian Goats 1905
으로 존 싱어 사젠트크기 시작 ₩255,269Egyptian Water Jars
으로 존 싱어 사젠트크기 시작 ₩353,979Moorish Buildings on a Cloudy Day 1879
으로 존 싱어 사젠트크기 시작 ₩264,739Courtyard, Tetuan, Morocco 1879
으로 존 싱어 사젠트크기 시작 ₩260,929Bedouin Camp
으로 존 싱어 사젠트크기 시작 ₩353,979Moorish Buildings In Sunlight 1879
으로 존 싱어 사젠트크기 시작 ₩263,759Cairo 1902
으로 존 싱어 사젠트크기 시작 ₩273,469From Jerusalem 1905
으로 존 싱어 사젠트크기 시작 ₩277,929Jerusalem 1905
으로 존 싱어 사젠트크기 시작 ₩285,129Bus Horses In Jerusalem, 1905
으로 존 싱어 사젠트크기 시작 ₩277,929Sunset 1905
으로 존 싱어 사젠트크기 시작 ₩275,089Bedouin Tent
으로 존 싱어 사젠트크기 시작 ₩277,929Arab Gypsies In a Tent 1905
으로 존 싱어 사젠트크기 시작 ₩277,929Four arab Women
으로 존 싱어 사젠트크기 시작 ₩289,249The Plains of Esdraelon 1905
으로 존 싱어 사젠트크기 시작 ₩286,419The Mountains of Moab 1905
으로 존 싱어 사젠트크기 시작 ₩297,749Cliffs at Deir El Bahri, Egypt 1890-91
으로 존 싱어 사젠트크기 시작 ₩311,919The arrival of american Troops at the Front 1918
으로 존 싱어 사젠트크기 시작 ₩293,869Tommies Bathing 1918
으로 존 싱어 사젠트크기 시작 ₩351,759Thou Shalt Not Steal
으로 존 싱어 사젠트크기 시작 ₩347,799A Tarpaulin Over a Dug-Out 1918
으로 존 싱어 사젠트크기 시작 ₩267,649Camp With ambulance 1918
으로 존 싱어 사젠트크기 시작 ₩267,649In Hospital Near Roisel 1918
으로 존 싱어 사젠트크기 시작 ₩263,759A Street In arras 1918
으로 존 싱어 사젠트크기 시작 ₩263,759Tommies Bathing 1918-2
으로 존 싱어 사젠트크기 시작 ₩320,059A War Memorial 1918
으로 존 싱어 사젠트크기 시작 ₩275,089Highlanders Resting at the Front 1918
으로 존 싱어 사젠트크기 시작 ₩381,389Poperinghe-Two Soldiers 1918
으로 존 싱어 사젠트크기 시작 ₩358,089A Glacier Stream In the alp
으로 존 싱어 사젠트크기 시작 ₩309,859A Road In the South 1878
으로 존 싱어 사젠트크기 시작 ₩255,839A Spanish Madonna
으로 존 싱어 사젠트크기 시작 ₩242,719A Street In Spain 1880
으로 존 싱어 사젠트크기 시작 ₩263,759Borgo San Lorenzo
으로 존 싱어 사젠트크기 시작 ₩263,759A Street Scene, Spain
으로 존 싱어 사젠트크기 시작 ₩266,599Alhambra, Granada 1912
으로 존 싱어 사젠트크기 시작 ₩269,429Arched Doorway
으로 존 싱어 사젠트크기 시작 ₩266,599Camprodon, Spain 1892
으로 존 싱어 사젠트크기 시작 ₩277,929Marble Fountain In Italy 1907
으로 존 싱어 사젠트크기 시작 ₩246,779Genoa-the University 1911
으로 존 싱어 사젠트크기 시작 ₩258,099Torre Galli, Wine Bags 1910
으로 존 싱어 사젠트크기 시작 ₩269,429Santa Sofia 1891
으로 존 싱어 사젠트크기 시작 ₩255,269Interior of the Hagia Sophia 1891
으로 존 싱어 사젠트크기 시작 ₩255,269Spanish Church Interior 1880
으로 존 싱어 사젠트크기 시작 ₩263,759Tarragona 1908
으로 존 싱어 사젠트크기 시작 ₩269,429Cordova-Interior of the Cathedral 1903
으로 존 싱어 사젠트크기 시작 ₩273,469Évora 1903
으로 존 싱어 사젠트크기 시작 ₩277,929The Terrace at La Granja 1912
으로 존 싱어 사젠트크기 시작 ₩277,929Tomar 1903
으로 존 싱어 사젠트크기 시작 ₩277,929Viana Do Castelo, Portugal 1903
으로 존 싱어 사젠트크기 시작 ₩277,929Villa Falconiere 1907
으로 존 싱어 사젠트크기 시작 ₩272,259Vespers 1909-2
으로 존 싱어 사젠트크기 시작 ₩261,819Florence-Torre Galli 1910
으로 존 싱어 사젠트크기 시작 ₩229,789Fountain of Neptune 1902
으로 존 싱어 사젠트크기 시작 ₩249,609Daphne 1910
으로 존 싱어 사젠트크기 시작 ₩258,099Cypress Trees at San Vigilio 1913
으로 존 싱어 사젠트크기 시작 ₩249,609Port of Soller 1908
으로 존 싱어 사젠트크기 시작 ₩273,469Hillside 1910
으로 존 싱어 사젠트크기 시작 ₩283,589The Shadowed Stream 1883
으로 존 싱어 사젠트크기 시작 ₩266,599House and Courtyard 1895
으로 존 싱어 사젠트크기 시작 ₩266,599Santiago De Compostela, Spain 1903
으로 존 싱어 사젠트크기 시작 ₩277,929Camp and Waterfall 1916
으로 존 싱어 사젠트크기 시작 ₩269,429A Tent In the Rockies 1916-2
으로 존 싱어 사젠트크기 시작 ₩267,649Camp at Lake O’hara 1916
으로 존 싱어 사젠트크기 시작 ₩260,929Camping Near Lake O’hara 1916
으로 존 싱어 사젠트크기 시작 ₩260,929Tents, Bailleulval 1918
으로 존 싱어 사젠트크기 시작 ₩283,589Trout Stream In the Tyrol 1914
으로 존 싱어 사젠트크기 시작 ₩258,099The Hermit 1908
으로 존 싱어 사젠트크기 시작 ₩226,959